{"id":2161261,"date":"2026-11-01T23:11:41","date_gmt":"2026-11-01T22:11:41","guid":{"rendered":"https:\/\/kohenavocats.fr\/?page_id=2161261"},"modified":"2026-11-04T19:45:28","modified_gmt":"2026-11-04T18:45:28","slug":"music-law-lawyer-paris","status":"publish","type":"page","link":"https:\/\/kohenavocats.fr\/en\/music-law-lawyer-paris\/","title":{"rendered":"Music law lawyer in Paris: artist contracts, publishing and neighbouring rights"},"content":{"rendered":"\t\t<div data-elementor-type=\"wp-page\" data-elementor-id=\"2161261\" class=\"elementor elementor-2161261 elementor-2160674\" data-elementor-post-type=\"page\">\n\t\t\t\t<div class=\"elementor-element elementor-element-v5bd59a e-con-full e-ecs-flex e-flex e-con e-parent\" data-id=\"v5bd59a\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;ecs_container_type&quot;:&quot;flex&quot;}\">\n\t\t\t\t<div class=\"elementor-element elementor-element-v5bd59aw elementor-widget elementor-widget-html\" data-id=\"v5bd59aw\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"html.default\">\n\t\t\t\t\t<div class=\"kcv\" id=\"kci-root\" data-refresh-marker=\"expertise-fr-avocat-droit-de-la-musique-paris-20261101\">\n<section class=\"kcv-hero\" aria-labelledby=\"kch-h1\">\n  <div class=\"kcv-in\">\n    <div class=\"kcv-head\">\n      <p class=\"kk\">Artists, songwriters and labels: contracts, publishing, neighbouring rights<\/p>\n      <h1 id=\"kch-h1\"><em>Music law lawyer<\/em> in Paris:<span class=\"kcv-tail\"> artist contracts, publishing and neighbouring rights against the label.<\/span><\/h1>\n      <p class=\"kcv-sub\">Artist contracts, licence agreements, music publishing, streaming royalties and equitable remuneration: a music law lawyer in Paris first reads what the contract assigns, then what the label or publisher owes in return. The firm examines each party's commitments, both before signing and when the relationship is ending.<\/p>\n      <div class=\"kcv-btns\">\n        <a class=\"kcv-fb kcv-fb-tel\" href=\"tel:+33646605822\"><span class=\"kcv-fb-orb\"><svg viewBox=\"0 0 24 24\" width=\"24\" height=\"24\" fill=\"currentColor\" stroke=\"none\" stroke-width=\"0\" stroke-linecap=\"round\" stroke-linejoin=\"round\" aria-hidden=\"true\"><path d=\"M22 16.9v3a2 2 0 0 1-2.2 2 19.8 19.8 0 0 1-8.6-3.1 19.5 19.5 0 0 1-6-6A19.8 19.8 0 0 1 2.1 4.2 2 2 0 0 1 4.1 2h3a2 2 0 0 1 2 1.7c.1.9.4 1.8.7 2.7a2 2 0 0 1-.5 2.1L8 9.8a16 16 0 0 0 6 6l1.3-1.3a2 2 0 0 1 2.1-.4c.9.3 1.8.6 2.7.7a2 2 0 0 1 1.7 2z\"\/><\/svg><\/span><span class=\"kcv-fb-txt\">Call the firm<span class=\"kcv-fb-n\">06&nbsp;46&nbsp;60&nbsp;58&nbsp;22<\/span><\/span><\/a>\n        <a class=\"kcv-fb kcv-fb-mail\" href=\"#kch-form\"><span class=\"kcv-fb-orb\"><svg viewBox=\"0 0 24 24\" width=\"24\" height=\"24\" fill=\"none\" stroke=\"currentColor\" stroke-width=\"2\" stroke-linecap=\"round\" stroke-linejoin=\"round\" aria-hidden=\"true\"><rect x=\"2.5\" y=\"4.5\" width=\"19\" height=\"15\" rx=\"2.5\"\/><path d=\"m3.5 6.5 8.5 6.5 8.5-6.5\"\/><\/svg><\/span><span class=\"kcv-fb-txt\">Send your documents<span class=\"kcv-fb-n\">confidential form<\/span><\/span><\/a>\n      <\/div>\n      <p class=\"kcv-urg\">A termination has to be prepared: prior formal notice, royalty statements, a record of exploitation on the platforms and the agreement of co-authors or co-performers. Keep contracts, amendments, statements and correspondence before writing to the label.<\/p>\n    <\/div>\n    <div class=\"kcv-stagewrap\"><div class=\"kcv-stageshadow\"><div class=\"kcv-stage\">\n      <link rel=\"preload\" as=\"image\" href=\"https:\/\/kohenavocats.fr\/wp-content\/uploads\/2026\/10\/kohen-v3-expertises\/kohen-fr-assurance-paysage-20261025.webp\" media=\"(min-width:761px)\" fetchpriority=\"high\">\n      <link rel=\"preload\" as=\"image\" href=\"https:\/\/kohenavocats.fr\/wp-content\/uploads\/2026\/10\/kohen-v3-expertises\/kohen-fr-assurance-paysage-1080-20261025.webp\" media=\"(max-width:760px)\" fetchpriority=\"high\">\n      <div class=\"kcv-media\" aria-hidden=\"true\" style=\"--kcv-img:url('https:\/\/kohenavocats.fr\/wp-content\/uploads\/2026\/10\/kohen-v3-expertises\/kohen-fr-assurance-paysage-20261025.webp');--kcv-img-m:url('https:\/\/kohenavocats.fr\/wp-content\/uploads\/2026\/10\/kohen-v3-expertises\/kohen-fr-assurance-paysage-1080-20261025.webp')\"><\/div>\n      <div class=\"kcv-panel kcv-glass\" id=\"kch-form\">\n        <div class=\"kcv-panel-head\">\n          <div>\n            <p class=\"kcv-panel-k\">Music law \u00b7 Paris<\/p>\n            <h2 class=\"kcv-panel-t\">Get a <em>first analysis<\/em><\/h2>\n            <p class=\"kcv-panel-l\">Send the artist or publishing contract, its amendments, the royalty statements and the correspondence with the label: the firm examines the rights assigned, the sums owed and the ways out.<\/p>\n          <\/div>\n          <div class=\"kcv-chip kcv-glass\"><p class=\"kcv-chip-n\">24 \u00e0 48 h<\/p><p class=\"kcv-chip-x\">first legal<br>review<\/p><\/div>\n        <\/div>\n        <div class=\"kcf-wrap\">\n<form id=\"kcf-2form\" data-kcf data-api-url=\"https:\/\/kohenavocats.fr\/wp-json\/kohen-form\/v1\/submit\" data-vps-url=\"https:\/\/upload-fr.46-224-152-225.sslip.io\/submit\" data-max-size=\"1073741824\" data-max-files=\"500\" novalidate enctype=\"multipart\/form-data\">\n  <input type=\"hidden\" name=\"rendered_at\" value=\"1776847557\">\n  <div class=\"kcf-hp\" aria-hidden=\"true\"><label for=\"kcf-2website\">Do not fill in<\/label><input id=\"kcf-2website\" name=\"website\" type=\"text\" tabindex=\"-1\" autocomplete=\"off\"><\/div>\n  <div class=\"kcf-price\">\n    <span class=\"kcf-price-amount\">\u20ac80<small>incl. VAT<\/small><\/span>\n    <div class=\"kcf-price-body\">\n      <p class=\"kcf-price-text\"><strong>Preliminary review of your case.<\/strong> Examination of your documents and a first written analysis by Reda Kohen, within 24 to 48 business hours. Payment is made online after this form is sent.<\/p>\n      <ul class=\"kcf-price-meta\">\n        <li>Up to 1 GB of documents, folders and subfolders accepted<\/li>\n        <li>Secure payment, no banking data stored<\/li>\n        <li><a href=\"\/conditions-etude-prealable\/\" target=\"_blank\" rel=\"noopener\">Terms and fee agreement<\/a><\/li>\n      <\/ul>\n    <\/div>\n  <\/div>\n  <div class=\"kcf-row\">\n    <div class=\"kcf-group\">\n      <label class=\"kcf-label\" for=\"kcf-2name\">Full name<\/label>\n      <input class=\"kcf-input\" type=\"text\" id=\"kcf-2name\" name=\"name\" placeholder=\"Your name\" required autocomplete=\"name\" aria-describedby=\"kcf-2name-err\">\n      <p class=\"kcf-field-error\" id=\"kcf-2name-err\" role=\"alert\"><\/p>\n    <\/div>\n    <div class=\"kcf-group\">\n      <label class=\"kcf-label\" for=\"kcf-2phone\">Telephone <span class=\"kcf-optional\">(optional)<\/span><\/label>\n      <input class=\"kcf-input\" type=\"tel\" inputmode=\"tel\" id=\"kcf-2phone\" name=\"phone\" placeholder=\"06 00 00 00 00\" autocomplete=\"tel\" aria-describedby=\"kcf-2phone-err\">\n      <p class=\"kcf-field-error\" id=\"kcf-2phone-err\" role=\"alert\"><\/p>\n    <\/div>\n  <\/div>\n  <div class=\"kcf-group\">\n    <label class=\"kcf-label\" for=\"kcf-2email\">Email address<\/label>\n    <input class=\"kcf-input\" type=\"email\" id=\"kcf-2email\" name=\"email\" placeholder=\"your@email.com\" required autocomplete=\"email\" spellcheck=\"false\" autocapitalize=\"off\" aria-describedby=\"kcf-2email-err\">\n    <p class=\"kcf-field-error\" id=\"kcf-2email-err\" role=\"alert\"><\/p>\n  <\/div>\n  \n  <div class=\"kcf-group\">\n    <label class=\"kcf-label\" for=\"kcf-2message\">Message<\/label>\n    <textarea class=\"kcf-textarea\" id=\"kcf-2message\" name=\"message\" placeholder=\"Briefly describe your situation...\" required aria-describedby=\"kcf-2message-err\"><\/textarea>\n    <p class=\"kcf-field-error\" id=\"kcf-2message-err\" role=\"alert\"><\/p>\n  <\/div>\n  <div class=\"kcf-group\">\n    <label class=\"kcf-label\">Attachments <span class=\"kcf-optional\">(optional, 500 files max, 1 GB)<\/span><\/label>\n    <div class=\"kcf-dropzone\" id=\"kcf-2dropzone\">\n      <svg class=\"kcf-dropzone-icon\" xmlns=\"http:\/\/www.w3.org\/2000\/svg\" viewBox=\"0 0 24 24\" fill=\"none\" stroke=\"currentColor\" stroke-width=\"1.5\" stroke-linecap=\"round\" stroke-linejoin=\"round\"><path d=\"M21 15v4a2 2 0 0 1-2 2H5a2 2 0 0 1-2-2v-4\"\/><polyline points=\"17 8 12 3 7 8\"\/><line x1=\"12\" y1=\"3\" x2=\"12\" y2=\"15\"\/><\/svg>\n      <p class=\"kcf-dropzone-text\"><strong>Click<\/strong> or drag your files here<br>All formats accepted (PDF, Word, images, etc.)<\/p>\n      <input type=\"file\" name=\"attachments\" id=\"kcf-2files\" multiple>\n    <\/div>\n    <div class=\"kcf-file-list\" id=\"kcf-2filelist\"><\/div>\n    <div class=\"kcf-progress\" id=\"kcf-2progress\">\n      <div class=\"kcf-progress-bar\"><div class=\"kcf-progress-fill\" id=\"kcf-2progressfill\"><\/div><\/div>\n      <p class=\"kcf-progress-text\" id=\"kcf-2progresstext\">Sending...<\/p>\n    <\/div>\n  <\/div>\n  <button type=\"submit\" class=\"kcf-btn\">\n    <span class=\"kcf-spinner\"><\/span>\n    <span class=\"kcf-btn-text\">Pay \u20ac80 and send my case<\/span>\n  <\/button>\n  <div class=\"kcf-msg\" role=\"status\" aria-live=\"polite\" aria-atomic=\"true\" tabindex=\"-1\"><\/div>\n  <p class=\"kcf-note\">Payment constitutes a request for immediate performance of your analysis. 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l'\u00c9tat.\",\"auteur\":\"data.gouv.fr\",\"paraphrase\":true,\"libelle\":\"Voir la fiche sur data.gouv.fr\"},{\"titre\":\"Commentaires des d\u00e9cisions de justice par l'IA g\u00e9n\u00e9rative\",\"url\":\"https:\/\/www.data.gouv.fr\/reuses\/commentaires-des-decisions-de-justice-par-lia-generative\",\"citation\":\"R\u00e9utilisation des donn\u00e9es publiques de justice publi\u00e9e par Kohen Avocats et r\u00e9f\u00e9renc\u00e9e sur data.gouv.fr.\",\"auteur\":\"data.gouv.fr\",\"paraphrase\":true,\"libelle\":\"Voir la r\u00e9utilisation sur data.gouv.fr\"}]},\"awwwards\":{\"nom\":\"Awwwards\",\"articles\":[{\"titre\":\"Kohen Avocats, site nomm\u00e9 aux Awwwards\",\"url\":\"https:\/\/www.awwwards.com\/sites\/kohen-avocats\",\"citation\":\"Le site du cabinet figure parmi les sites nomm\u00e9s (\u00ab Nominee \u00bb) par Awwwards, r\u00e9f\u00e9rence internationale du design web.\",\"auteur\":\"Awwwards\",\"paraphrase\":true,\"libelle\":\"Voir la fiche sur 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\u00e0 la location ?\",\"url\":\"https:\/\/www.leboncoin.fr\/guide\/immobilier\/bouilloires-thermiques-bientot-interdites-a-la-location-hfpj70o6.html\",\"citation\":\"Le guide immobilier cite une analyse de kohenavocats.fr parmi ses sources.\",\"auteur\":\"Leboncoin\",\"paraphrase\":true}]},\"femme-actuelle\":{\"nom\":\"Femme Actuelle\",\"articles\":[{\"titre\":\"S\u00e9paration ou divorce : quelle banque et quel cr\u00e9dit pour repartir sur de bonnes bases ?\",\"date\":\"2026-09-30\",\"url\":\"https:\/\/www.femmeactuelle.fr\/vie-pratique\/news-vie-pratique\/separation-ou-divorce-quelle-banque-et-quel-credit-pour-repartir-sur-de-bonnes-bases-2211980\",\"citation\":\"L'article cite une analyse de kohenavocats.com parmi ses sources.\",\"auteur\":\"Femme Actuelle\",\"paraphrase\":true}]},\"economie-matin\":{\"nom\":\"\u00c9conomie Matin\",\"articles\":[{\"titre\":\"Nouveau bail 2026 : ce que les propri\u00e9taires doivent anticiper d\u00e8s 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aria-selected=\"false\" tabindex=\"-1\">The rules<\/button><button class=\"kcv-chip-t\" type=\"button\" role=\"tab\" id=\"kcv-t-kcv-p2\" aria-controls=\"kcv-p2\" aria-selected=\"false\" tabindex=\"-1\">Your documents<\/button><button class=\"kcv-chip-t\" type=\"button\" role=\"tab\" id=\"kcv-t-kcv-p3\" aria-controls=\"kcv-p3\" aria-selected=\"false\" tabindex=\"-1\">The method<\/button><button class=\"kcv-chip-t\" type=\"button\" role=\"tab\" id=\"kcv-t-kcv-p4\" aria-controls=\"kcv-p4\" aria-selected=\"false\" tabindex=\"-1\">The timetable<\/button><button class=\"kcv-chip-t\" type=\"button\" role=\"tab\" id=\"kcv-t-kcv-p5\" aria-controls=\"kcv-p5\" aria-selected=\"false\" tabindex=\"-1\">The checks<\/button><button class=\"kcv-chip-t\" type=\"button\" role=\"tab\" id=\"kcv-t-kcv-synthese\" aria-controls=\"kcv-synthese\" aria-selected=\"false\" tabindex=\"-1\">Summary<\/button><button class=\"kcv-chip-t\" type=\"button\" role=\"tab\" id=\"kcv-t-kcv-faq\" aria-controls=\"kcv-faq\" aria-selected=\"false\" tabindex=\"-1\">Questions<\/button><button class=\"kcv-chip-t\" type=\"button\" role=\"tab\" id=\"kcv-t-kcv-textes\" aria-controls=\"kcv-textes\" aria-selected=\"false\" tabindex=\"-1\">Legal texts<\/button><\/div><\/div>\n    <div class=\"kcv-track\"><div class=\"kcv-slide kcv-on\" id=\"kcv-avocat\" role=\"tabpanel\" aria-labelledby=\"kcv-t-kcv-avocat\" tabindex=\"-1\">\n<div class=\"kcv-pro\">\n  <figure class=\"kcv-pro-photo\"><img fetchpriority=\"high\" src=\"https:\/\/kohenavocats.fr\/wp-content\/uploads\/kohen-footer\/portrait-reda-20260920-lignes-orange.jpg\" alt=\"Reda Kohen, lawyer at the Paris Bar\" width=\"1122\" height=\"1402\" loading=\"eager\" decoding=\"async\">\n    <figcaption class=\"kcv-pro-cap kcv-glass\"><span class=\"kcv-pro-capn\">Reda Kohen<\/span><span class=\"kcv-pro-capr\">Lawyer at the Paris Bar<\/span><\/figcaption>\n  <\/figure>\n  <div class=\"kcv-pro-body\">\n    <p class=\"kk\">Intellectual property \u00b7 Paris 17th<\/p>\n    <h2>What a <em>music law lawyer<\/em> in Paris does<\/h2>\n    <ul class=\"kcv-pro-tags\"><li>Paris Bar<\/li><li>Intellectual property<\/li><li>Music contracts<\/li><\/ul>\n    <p class=\"kcv-p\">Reda Kohen, lawyer at the Paris Bar: artist contracts, music publishing and neighbouring rights of performing artists.<\/p>\n    <p class=\"kcv-p\">The relationship between an artist and a label rests on several bodies of law at once. The French Intellectual Property Code (Code de la propri\u00e9t\u00e9 intellectuelle) governs the assignment of neighbouring rights (droits voisins) and copyright, the French Labour Code (Code du travail) governs the recording session, and the French Civil Code (Code civil) governs non-performance and termination of the contract.<\/p>\n    <p class=\"kcv-p\">The firm can act for the performing artist, the songwriter or the independent producer. It reviews how contracts are drafted, whether royalty statements meet the requirements of <a href=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000032856431\" target=\"_blank\" rel=\"noopener\" class=\"kohen-legifrance-popup-link\" data-kohen-legifrance-url=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000032856431\" data-kohen-legifrance-title=\"Texte officiel Legifrance\">Article L. 212-15 of the Intellectual Property Code<\/a>, and whether a termination will stand up before it is notified.<\/p>\n    <p class=\"kcv-p\">Send what you have, even if incomplete: the firm will prioritise and complete the file with you. In an emergency, call <a href=\"tel:+33646605822\">06 46 60 58 22<\/a>.<\/p>\n    <p class=\"kcv-pro-meta\"><a href=\"https:\/\/consultation.avocat.fr\/avocat-paris\/reda-kohen-54670.html\" target=\"_blank\" rel=\"noopener\">Official profile in the directory of French lawyers (CNB)<\/a><span>Firm at 11 rue Margueritte, 75017 Paris<\/span><\/p>\n  <\/div>\n<\/div>\n<div class=\"kcv-cards\">\n  <div class=\"kcv-card\"><h3>The artist contract<\/h3><p>Session paid as salary, proportional royalties, firm and optional albums, exclusivity and preference clause: each provision is read in light of the Labour Code and the Intellectual Property Code.<\/p><\/div>\n  <div class=\"kcv-card\"><h3>Music publishing<\/h3><p>The publisher owes permanent and sustained exploitation and an accounting of royalties, with a statement at least annually unless the contract provides otherwise; the preference pact is counted in works, not in albums.<\/p><\/div>\n  <div class=\"kcv-card\"><h3>Neighbouring rights<\/h3><p>Written authorisation for each fixation, separate remuneration for each mode of exploitation, equitable remuneration and the performer's moral right protect the artist beyond the contract.<\/p><\/div>\n<\/div><\/div><div class=\"kcv-slide\" id=\"kcv-p1\" role=\"tabpanel\" aria-labelledby=\"kcv-t-kcv-p1\" tabindex=\"-1\">\n<p class=\"kk\">The rules<\/p>\n<h2>Artist, label, publisher: <em>the applicable rules<\/em><\/h2>\n<p class=\"kcv-lead\">Five rules structure the relationship between an artist, their phonogram producer and their publisher.<\/p>\n<ol class=\"kcv-conds\">\n  <li>The fixation, reproduction and communication to the public of a performance require the written authorisation of the performing artist (<a href=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000043499669\" target=\"_blank\" rel=\"noopener\" class=\"kohen-legifrance-popup-link\" data-kohen-legifrance-url=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000043499669\" data-kohen-legifrance-title=\"Texte officiel Legifrance\">Article L. 212-3 of the Intellectual Property Code<\/a>). The Court of Cassation holds that \u201cfixation is constituted by the first incorporation of the artist's performance in a medium\u201d (our translation) (<a href=\"https:\/\/www.courdecassation.fr\/decision\/5fca877190b1da78832773b1\" target=\"_blank\" rel=\"noopener\">Cass. 1re civ., 12 September 2018, No. 17-19.490<\/a>).<\/li>\n  <li>Each right assigned to the producer must be the subject of a separate mention and a defined scope (<a href=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000032856422\" target=\"_blank\" rel=\"noopener\" class=\"kohen-legifrance-popup-link\" data-kohen-legifrance-url=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000032856422\" data-kohen-legifrance-title=\"Texte officiel Legifrance\">Article L. 212-11 of the Intellectual Property Code<\/a>), and each mode of exploitation, physical or electronic, of separate remuneration (<a href=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000032856426\" target=\"_blank\" rel=\"noopener\" class=\"kohen-legifrance-popup-link\" data-kohen-legifrance-url=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000032856426\" data-kohen-legifrance-title=\"Texte officiel Legifrance\">Article L. 212-13 of the Intellectual Property Code<\/a>). The producer must account every six months where the remuneration depends on revenue (<a href=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000032856431\" target=\"_blank\" rel=\"noopener\" class=\"kohen-legifrance-popup-link\" data-kohen-legifrance-url=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000032856431\" data-kohen-legifrance-title=\"Texte officiel Legifrance\">Article L. 212-15 of the Intellectual Property Code<\/a>).<\/li>\n  <li>The royalty due for the exploitation of the recording is not a salary where the artist's presence is no longer required and the royalty depends on sales proceeds (<a href=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000006904535\" target=\"_blank\" rel=\"noopener\" class=\"kohen-legifrance-popup-link\" data-kohen-legifrance-url=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000006904535\" data-kohen-legifrance-title=\"Texte officiel Legifrance\">Article L. 7121-8 of the Labour Code<\/a>). The Court of Cassation upheld a court of appeal that had held that \u201cthe sums in dispute did not have the character of salary\u201d (our translation) (<a href=\"https:\/\/www.courdecassation.fr\/decision\/5fd8fcf120f00d92b5dc3f3e\" target=\"_blank\" rel=\"noopener\">Cass. 2e civ., 6 July 2017, No. 16-20.276<\/a>).<\/li>\n  <li>The publisher owes permanent and sustained exploitation (<a href=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000029755770\" target=\"_blank\" rel=\"noopener\" class=\"kohen-legifrance-popup-link\" data-kohen-legifrance-url=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000029755770\" data-kohen-legifrance-title=\"Texte officiel Legifrance\">Article L. 132-12 of the Intellectual Property Code<\/a>) and an accounting of royalties (<a href=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000029755764\" target=\"_blank\" rel=\"noopener\" class=\"kohen-legifrance-popup-link\" data-kohen-legifrance-url=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000029755764\" data-kohen-legifrance-title=\"Texte officiel Legifrance\">Article L. 132-13 of the Intellectual Property Code<\/a>). The preference pact is limited, for each genre, to five new works or to the output produced over five years (<a href=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000029755814\" target=\"_blank\" rel=\"noopener\" class=\"kohen-legifrance-popup-link\" data-kohen-legifrance-url=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000029755814\" data-kohen-legifrance-title=\"Texte officiel Legifrance\">Article L. 132-4 of the Intellectual Property Code<\/a>), and \u201cIt follows that, in music publishing, a work within the meaning of Article L. 132-4 of the Intellectual Property Code\u201d means a musical work, not an album (our translation) (<a href=\"https:\/\/www.courdecassation.fr\/decision\/6a0ada95cdc6046d470ed564\" target=\"_blank\" rel=\"noopener\">Cass. 1re civ., 13 May 2026, No. 24-15.857<\/a>).<\/li>\n  <li>For a contract concluded since 1 October 2016, unilateral termination requires, except in urgent cases, prior formal notice followed by a reasoned notification (<a href=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000032041472\" target=\"_blank\" rel=\"noopener\" class=\"kohen-legifrance-popup-link\" data-kohen-legifrance-url=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000032041472\" data-kohen-legifrance-title=\"Texte officiel Legifrance\">Article 1226 of the Civil Code<\/a>); an older contract remains subject to the earlier law (<a href=\"https:\/\/www.legifrance.gouv.fr\/loda\/article_lc\/LEGIARTI000036829913\" target=\"_blank\" rel=\"noopener\" class=\"kohen-legifrance-popup-link\" data-kohen-legifrance-url=\"https:\/\/www.legifrance.gouv.fr\/loda\/article_lc\/LEGIARTI000036829913\" data-kohen-legifrance-title=\"Texte officiel Legifrance\">Article 9 of Ordinance No. 2016-131 of 10 February 2016<\/a>). In a decision unfavourable to the artist, the Paris Court of Appeal held, given the age of the albums and the absence of any earlier complaint, that the failure to pay for digital exploitation \u201cis not serious enough to justify termination of the contract\u201d (our translation) (<a href=\"https:\/\/www.courdecassation.fr\/decision\/69b275dbcdc6046d47633643\" target=\"_blank\" rel=\"noopener\">CA Paris, p\u00f4le 5 ch. 1, 11 March 2026, No. 24\/10758<\/a>).<\/li>\n<\/ol>\n<div class=\"kcv-callout\"><span class=\"kcv-callout-i\"><svg viewBox=\"0 0 24 24\" width=\"22\" height=\"22\" fill=\"currentColor\" aria-hidden=\"true\"><path d=\"M9.6 6C6.5 7.4 4.5 10 4.5 13.4V18h6v-6H7.6c.2-1.9 1.4-3.4 3.2-4.3L9.6 6zm9 0c-3.1 1.4-5.1 4-5.1 7.4V18h6v-6h-2.9c.2-1.9 1.4-3.4 3.2-4.3L18.6 6z\"\/><\/svg><\/span><p>A label does not buy the artist: it acquires designated rights, for defined uses, territories and a defined term. What is not assigned in writing remains with the artist or author.<\/p><\/div><\/div><div class=\"kcv-slide\" id=\"kcv-p2\" role=\"tabpanel\" aria-labelledby=\"kcv-t-kcv-p2\" tabindex=\"-1\">\n<p class=\"kk\">Your documents<\/p>\n<h2>What to send, depending on <em>your position<\/em><\/h2>\n<p class=\"kcv-lead\">The contract, its amendments and the royalty statements make it possible to measure what has been assigned and what remains due.<\/p>\n<div class=\"kcv-duel\">\n  <div class=\"kcv-opt kcv-opt-a\"><p class=\"kcv-opt-k\">Position A<\/p><p class=\"kcv-opt-t\">You are an artist or songwriter<\/p><ul><li>Signed artist, licence or publishing contract, with its amendments and options exercised<\/li><li>Royalty statements, advance accounts and payslips for the sessions<\/li><li>Platform screenshots, bailiff's report (proc\u00e8s-verbal de constat) and exploitation links<\/li><li>Correspondence with the label, the publisher, the manager and the co-authors or co-performers<\/li><\/ul><\/div>\n  <div class=\"kcv-or\" aria-hidden=\"true\">or<\/div>\n  <div class=\"kcv-opt kcv-opt-b\"><p class=\"kcv-opt-k\">Position B<\/p><p class=\"kcv-opt-t\">You are a producer or independent label<\/p><ul><li>Contracts concluded with the artists and, where applicable, with the distributor<\/li><li>Written fixation authorisations and session attendance sheets<\/li><li>Six-monthly statements sent and sales or streaming data received<\/li><li>Formal notice, notification of termination or writ of summons received<\/li><\/ul><\/div>\n<\/div>\n<div class=\"kcv-callout\"><span class=\"kcv-callout-i\"><svg viewBox=\"0 0 24 24\" width=\"22\" height=\"22\" fill=\"currentColor\" aria-hidden=\"true\"><path d=\"M9.6 6C6.5 7.4 4.5 10 4.5 13.4V18h6v-6H7.6c.2-1.9 1.4-3.4 3.2-4.3L9.6 6zm9 0c-3.1 1.4-5.1 4-5.1 7.4V18h6v-6h-2.9c.2-1.9 1.4-3.4 3.2-4.3L18.6 6z\"\/><\/svg><\/span><p>Do not notify a termination and do not take a track down from the platforms before you have gathered proof of the exploitation and of the breaches: an ill-founded termination can be turned against the party who makes it.<\/p><\/div>\n<p class=\"kcv-p\">The firm also handles:<\/p>\n<ul class=\"kcv-pro-tags\"><li>Copyright<\/li><li>Music publishing<\/li><li>Neighbouring rights<\/li><li>The artist's employment contract<\/li><\/ul><\/div><div class=\"kcv-slide\" id=\"kcv-p3\" role=\"tabpanel\" aria-labelledby=\"kcv-t-kcv-p3\" tabindex=\"-1\">\n<p class=\"kk\">The method<\/p>\n<h2>How the firm <em>supports you<\/em><\/h2>\n<p class=\"kcv-lead\">Read the contract, establish the accounts, choose between exit and negotiation.<\/p>\n<div class=\"kcv-rows\">\n<div class=\"kcv-row\"><div class=\"kcv-row-h\"><p class=\"kcv-row-k\">Step 1<\/p><h3>Review of the contract and amendments<\/h3><\/div><div class=\"kcv-row-b\"><p class=\"kcv-p\">The firm identifies the rights assigned, their duration, the territories, the modes of exploitation, the firm and optional albums, and any preference clause.<\/p><\/div><\/div>\n<div class=\"kcv-row\"><div class=\"kcv-row-h\"><p class=\"kcv-row-k\">Step 2<\/p><h3>Review of the accounts<\/h3><\/div><div class=\"kcv-row-b\"><p class=\"kcv-p\">The statements are compared with the contractual rates, deductions, advances and exploitation data; missing statements are requested in writing.<\/p><\/div><\/div>\n<div class=\"kcv-row\"><div class=\"kcv-row-h\"><p class=\"kcv-row-k\">Step 3<\/p><h3>Choice of ground<\/h3><\/div><div class=\"kcv-row-b\"><p class=\"kcv-p\">Termination for non-performance, termination for failure to exploit, a claim for additional remuneration or compensation for a wrongful termination: the legal basis follows the evidence gathered.<\/p><\/div><\/div>\n<div class=\"kcv-row\"><div class=\"kcv-row-h\"><p class=\"kcv-row-k\">Step 4<\/p><h3>Negotiation, mediation or action<\/h3><\/div><div class=\"kcv-row-b\"><p class=\"kcv-p\">The firm prepares a renegotiation, a referral to the music mediator (m\u00e9diateur de la musique) provided for by Article L. 214-6 of the Intellectual Property Code, or an action before the competent court.<\/p><\/div><\/div>\n<\/div>\n<div class=\"kcv-callout\"><span class=\"kcv-callout-i\"><svg viewBox=\"0 0 24 24\" width=\"22\" height=\"22\" fill=\"currentColor\" aria-hidden=\"true\"><path d=\"M9.6 6C6.5 7.4 4.5 10 4.5 13.4V18h6v-6H7.6c.2-1.9 1.4-3.4 3.2-4.3L9.6 6zm9 0c-3.1 1.4-5.1 4-5.1 7.4V18h6v-6h-2.9c.2-1.9 1.4-3.4 3.2-4.3L18.6 6z\"\/><\/svg><\/span><p>A quantified claim, supported by statements and a record of exploitation, opens a more useful negotiation than a general complaint addressed to the label.<\/p><\/div><\/div><div class=\"kcv-slide\" id=\"kcv-p4\" role=\"tabpanel\" aria-labelledby=\"kcv-t-kcv-p4\" tabindex=\"-1\">\n<p class=\"kk\">The timetable<\/p>\n<h2>The timeline <em>of a dispute with a label<\/em><\/h2>\n<p class=\"kcv-lead\">From signing the artist contract to termination or judgment.<\/p>\n<ol class=\"kcv-hs\"><li><span class=\"kcv-hs-dot\" aria-hidden=\"true\"><\/span><p class=\"kcv-tl-t\">Before signing<\/p><p><strong>As soon as the draft is received.<\/strong> Review of the rights assigned, the rates for each mode of exploitation, the firm albums, exclusivity and preference clauses.<\/p><\/li><li><span class=\"kcv-hs-dot\" aria-hidden=\"true\"><\/span><p class=\"kcv-tl-t\">First sessions<\/p><p><strong>Before the first recording.<\/strong> Written fixation authorisation, employment contracts for the sessions and a recording schedule agreed with the producer.<\/p><\/li><li><span class=\"kcv-hs-dot\" aria-hidden=\"true\"><\/span><p class=\"kcv-tl-t\">Exploitation<\/p><p><strong>Every six months.<\/strong> Receipt and review of the statements; preservation of evidence of exploitation on the platforms and of streaming data.<\/p><\/li><li><span class=\"kcv-hs-dot\" aria-hidden=\"true\"><\/span><p class=\"kcv-tl-t\">Complaint<\/p><p><strong>From the first missing statement.<\/strong> Written request for statements and supporting documents, appointment of an accountant where appropriate, formal notice with a time limit.<\/p><\/li><li><span class=\"kcv-hs-dot\" aria-hidden=\"true\"><\/span><p class=\"kcv-tl-t\">Termination or mediation<\/p><p><strong>If the non-performance persists.<\/strong> Reasoned notification after formal notice, except in urgent cases, or referral to the music mediator for conciliation.<\/p><\/li><li><span class=\"kcv-hs-dot\" aria-hidden=\"true\"><\/span><p class=\"kcv-tl-t\">Legal action<\/p><p><strong>Depending on the basis of the action.<\/strong> Judicial termination, payment of royalties and damages: civil actions are subject to a five-year limitation period running from the day the artist knew or should have known the facts (Article 2224 of the Civil Code); a challenge to the termination of an employment contract is in principle subject to a twelve-month limitation period from its notification (Article L. 1471-1 of the Labour Code).<\/p><\/li><\/ol><\/div><div class=\"kcv-slide\" id=\"kcv-p5\" role=\"tabpanel\" aria-labelledby=\"kcv-t-kcv-p5\" tabindex=\"-1\">\n<p class=\"kk\">The checks<\/p>\n<h2>What the firm checks <em>before acting<\/em><\/h2>\n<p class=\"kcv-lead\">No claim should rest on an impression of underpayment.<\/p>\n<div class=\"kcv-split\">\n  <ul class=\"kcv-check\"><li><svg width=\"18\" height=\"18\" viewBox=\"0 0 24 24\" fill=\"none\" stroke=\"#E09019\" stroke-width=\"2.4\" stroke-linecap=\"round\" stroke-linejoin=\"round\" aria-hidden=\"true\"><polyline points=\"20 6 9 17 4 12\"\/><\/svg><span>Characterisation of the contract: employed artist's contract, licence agreement, production contract or publishing contract.<\/span><\/li><li><svg width=\"18\" height=\"18\" viewBox=\"0 0 24 24\" fill=\"none\" stroke=\"#E09019\" stroke-width=\"2.4\" stroke-linecap=\"round\" stroke-linejoin=\"round\" aria-hidden=\"true\"><polyline points=\"20 6 9 17 4 12\"\/><\/svg><span>Rights assigned: separate mention, scope, purpose, place and duration of each right, and the modes of exploitation covered.<\/span><\/li><li><svg width=\"18\" height=\"18\" viewBox=\"0 0 24 24\" fill=\"none\" stroke=\"#E09019\" stroke-width=\"2.4\" stroke-linecap=\"round\" stroke-linejoin=\"round\" aria-hidden=\"true\"><polyline points=\"20 6 9 17 4 12\"\/><\/svg><span>Remuneration: rate for each mode of exploitation, base, deductions, recoupable advances and minimum streaming remuneration.<\/span><\/li><li><svg width=\"18\" height=\"18\" viewBox=\"0 0 24 24\" fill=\"none\" stroke=\"#E09019\" stroke-width=\"2.4\" stroke-linecap=\"round\" stroke-linejoin=\"round\" aria-hidden=\"true\"><polyline points=\"20 6 9 17 4 12\"\/><\/svg><span>Evidence: statements received, record of exploitation, platform data, correspondence and date of the first complaint.<\/span><\/li><li><svg width=\"18\" height=\"18\" viewBox=\"0 0 24 24\" fill=\"none\" stroke=\"#E09019\" stroke-width=\"2.4\" stroke-linecap=\"round\" stroke-linejoin=\"round\" aria-hidden=\"true\"><polyline points=\"20 6 9 17 4 12\"\/><\/svg><span>Parties: co-authors, co-performers, the company succeeding to the rights of the original label and the collective management organisation concerned.<\/span><\/li><\/ul>\n  <aside class=\"kcv-act\">\n    <p class=\"kcv-act-k\">Case documents<\/p>\n    <p class=\"kcv-act-t\">Send what you have, even if incomplete<\/p>\n    <p class=\"kcv-act-p\">Submit your documents through the confidential form at the top of the page: the firm will prioritise and complete the file with you.<\/p>\n    <div class=\"kcv-act-b\"><a class=\"kcv-fb kcv-fb-mail\" href=\"#kch-form\"><span class=\"kcv-fb-orb\"><svg viewBox=\"0 0 24 24\" width=\"24\" height=\"24\" fill=\"none\" stroke=\"currentColor\" stroke-width=\"2\" stroke-linecap=\"round\" stroke-linejoin=\"round\" aria-hidden=\"true\"><rect x=\"2.5\" y=\"4.5\" width=\"19\" height=\"15\" rx=\"2.5\"\/><path d=\"m3.5 6.5 8.5 6.5 8.5-6.5\"\/><\/svg><\/span><span class=\"kcv-fb-txt\">Send your documents<span class=\"kcv-fb-n\">confidential form<\/span><\/span><\/a><a class=\"kcv-fb kcv-fb-tel\" href=\"tel:+33646605822\"><span class=\"kcv-fb-orb\"><svg viewBox=\"0 0 24 24\" width=\"24\" height=\"24\" fill=\"currentColor\" stroke=\"none\" stroke-width=\"0\" stroke-linecap=\"round\" stroke-linejoin=\"round\" aria-hidden=\"true\"><path d=\"M22 16.9v3a2 2 0 0 1-2.2 2 19.8 19.8 0 0 1-8.6-3.1 19.5 19.5 0 0 1-6-6A19.8 19.8 0 0 1 2.1 4.2 2 2 0 0 1 4.1 2h3a2 2 0 0 1 2 1.7c.1.9.4 1.8.7 2.7a2 2 0 0 1-.5 2.1L8 9.8a16 16 0 0 0 6 6l1.3-1.3a2 2 0 0 1 2.1-.4c.9.3 1.8.6 2.7.7a2 2 0 0 1 1.7 2z\"\/><\/svg><\/span><span class=\"kcv-fb-txt\">Call the firm<span class=\"kcv-fb-n\">06&nbsp;46&nbsp;60&nbsp;58&nbsp;22<\/span><\/span><\/a><\/div>\n  <\/aside>\n<\/div><\/div><div class=\"kcv-slide\" id=\"kcv-synthese\" role=\"tabpanel\" aria-labelledby=\"kcv-t-kcv-synthese\" tabindex=\"-1\">\n<p class=\"kk\">Summary<\/p>\n<h2>Situation, evidence, <em>response<\/em><\/h2>\n<p class=\"kcv-lead\">The common configurations make it possible to set the first priority of the case.<\/p>\n<div class=\"kcv-rows\">\n<div class=\"kcv-row\"><div class=\"kcv-row-h\"><p class=\"kcv-row-k\">Situation<\/p><h3>Draft artist contract to sign<\/h3><\/div><div class=\"kcv-row-b\"><p class=\"kcv-p\"><strong>Decisive evidence:<\/strong> Complete draft, annexes, advance terms and announced release plan.<\/p><p class=\"kcv-p\"><strong>Time limit:<\/strong> Before any signature and before entering the studio.<\/p><p class=\"kcv-p\"><strong>Useful action:<\/strong> Clause-by-clause review and proposed amendments to the rights assigned and the rates.<\/p><\/div><\/div>\n<div class=\"kcv-row\"><div class=\"kcv-row-h\"><p class=\"kcv-row-k\">Situation<\/p><h3>Royalties unpaid for several six-month periods<\/h3><\/div><div class=\"kcv-row-b\"><p class=\"kcv-p\"><strong>Decisive evidence:<\/strong> Contract, latest statements received, platform screenshots and written reminders.<\/p><p class=\"kcv-p\"><strong>Time limit:<\/strong> Five years from the day each breach was known or should have been known.<\/p><p class=\"kcv-p\"><strong>Useful action:<\/strong> Request for statements, review by an accountant, then a quantified formal notice.<\/p><\/div><\/div>\n<div class=\"kcv-row\"><div class=\"kcv-row-h\"><p class=\"kcv-row-k\">Situation<\/p><h3>Album withdrawn or never exploited<\/h3><\/div><div class=\"kcv-row-b\"><p class=\"kcv-p\"><strong>Decisive evidence:<\/strong> Record of the album's absence from the platforms, correspondence with the label, promised release schedule.<\/p><p class=\"kcv-p\"><strong>Time limit:<\/strong> Depends on the legal basis: general law, absence of exploitation or the fifty-year period.<\/p><p class=\"kcv-p\"><strong>Useful action:<\/strong> Notification to the producer and termination based on the appropriate provision.<\/p><\/div><\/div>\n<div class=\"kcv-row\"><div class=\"kcv-row-h\"><p class=\"kcv-row-k\">Situation<\/p><h3>Label that ends the contract before the planned albums<\/h3><\/div><div class=\"kcv-row-b\"><p class=\"kcv-p\"><strong>Decisive evidence:<\/strong> Contract, termination letter, earlier sales and promotion commitments.<\/p><p class=\"kcv-p\"><strong>Time limit:<\/strong> In principle twelve months from notification of the termination of the employment contract.<\/p><p class=\"kcv-p\"><strong>Useful action:<\/strong> Claim for compensation including loss of opportunity on the albums not produced.<\/p><\/div><\/div>\n<div class=\"kcv-row\"><div class=\"kcv-row-h\"><p class=\"kcv-row-k\">Situation<\/p><h3>Publisher inactive on the catalogue<\/h3><\/div><div class=\"kcv-row-b\"><p class=\"kcv-p\"><strong>Decisive evidence:<\/strong> Publishing contract, annual statements, absence of placements or synchronisations.<\/p><p class=\"kcv-p\"><strong>Time limit:<\/strong> Breaches in the five years preceding the writ of summons.<\/p><p class=\"kcv-p\"><strong>Useful action:<\/strong> Formal notice, then termination of the publishing contract.<\/p><\/div><\/div>\n<div class=\"kcv-row\"><div class=\"kcv-row-h\"><p class=\"kcv-row-k\">Situation<\/p><h3>Preference pact considered too long<\/h3><\/div><div class=\"kcv-row-b\"><p class=\"kcv-p\"><strong>Decisive evidence:<\/strong> Signed pact, list of works delivered and the publisher's replies.<\/p><p class=\"kcv-p\"><strong>Time limit:<\/strong> As soon as new works are delivered.<\/p><p class=\"kcv-p\"><strong>Useful action:<\/strong> Count in works and challenge the commitment exceeding the statutory limit.<\/p><\/div><\/div>\n<\/div><\/div><div class=\"kcv-slide\" id=\"kcv-faq\" role=\"tabpanel\" aria-labelledby=\"kcv-t-kcv-faq\" tabindex=\"-1\">\n<p class=\"kk\">Frequently asked questions<\/p>\n<h2>Your questions: <em>music law<\/em><\/h2>\n<div class=\"kcv-faqgrid\">\n  <aside class=\"kcv-act kcv-act-sticky\">\n    <p class=\"kcv-act-k\">14 questions<\/p>\n    <p class=\"kcv-act-t\">A situation not listed here?<\/p>\n    <p class=\"kcv-act-p\">Every case has its own features. The firm reads your documents before answering you.<\/p>\n    <div class=\"kcv-act-b\"><a class=\"kcv-fb kcv-fb-tel\" href=\"tel:+33646605822\"><span class=\"kcv-fb-orb\"><svg viewBox=\"0 0 24 24\" width=\"24\" height=\"24\" fill=\"currentColor\" stroke=\"none\" stroke-width=\"0\" stroke-linecap=\"round\" stroke-linejoin=\"round\" aria-hidden=\"true\"><path d=\"M22 16.9v3a2 2 0 0 1-2.2 2 19.8 19.8 0 0 1-8.6-3.1 19.5 19.5 0 0 1-6-6A19.8 19.8 0 0 1 2.1 4.2 2 2 0 0 1 4.1 2h3a2 2 0 0 1 2 1.7c.1.9.4 1.8.7 2.7a2 2 0 0 1-.5 2.1L8 9.8a16 16 0 0 0 6 6l1.3-1.3a2 2 0 0 1 2.1-.4c.9.3 1.8.6 2.7.7a2 2 0 0 1 1.7 2z\"\/><\/svg><\/span><span class=\"kcv-fb-txt\">Call the firm<span class=\"kcv-fb-n\">06&nbsp;46&nbsp;60&nbsp;58&nbsp;22<\/span><\/span><\/a><a class=\"kcv-fb kcv-fb-mail\" href=\"#kch-form\"><span class=\"kcv-fb-orb\"><svg viewBox=\"0 0 24 24\" width=\"24\" height=\"24\" fill=\"none\" stroke=\"currentColor\" stroke-width=\"2\" stroke-linecap=\"round\" stroke-linejoin=\"round\" aria-hidden=\"true\"><rect x=\"2.5\" y=\"4.5\" width=\"19\" height=\"15\" rx=\"2.5\"\/><path d=\"m3.5 6.5 8.5 6.5 8.5-6.5\"\/><\/svg><\/span><span class=\"kcv-fb-txt\">Send your documents<span class=\"kcv-fb-n\">confidential form<\/span><\/span><\/a><\/div>\n  <\/aside>\n  <div class=\"kcv-faq\"><details><summary>What should you check in an artist contract before signing it?<\/summary><div class=\"a\"><p>An artist contract entrusts the label with recording your performances and exploiting them. It combines two distinct relationships. First, the recording session is paid as salary, since <a href=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000044056630\" target=\"_blank\" rel=\"noopener\" class=\"kohen-legifrance-popup-link\" data-kohen-legifrance-url=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000044056630\" data-kohen-legifrance-title=\"Texte officiel Legifrance\">Article L. 7121-3 of the Labour Code<\/a> presumes an artist to be an employee where a person secures their services for remuneration. Second, the assignment of your neighbouring rights gives entitlement to royalties calculated on revenue. The review starts with the subject matter: number of firm and optional albums, time limit for entering the studio, promised release date and duration of exclusivity. It continues with the list of rights assigned, because <a href=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000032856422\" target=\"_blank\" rel=\"noopener\" class=\"kohen-legifrance-popup-link\" data-kohen-legifrance-url=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000032856422\" data-kohen-legifrance-title=\"Texte officiel Legifrance\">Article L. 212-11 of the Intellectual Property Code<\/a> requires each one to be the subject of a separate mention and its scope to be delimited as to extent, purpose, place and duration. The rate and base of the royalties, the deductions, the recoupment of advances and the frequency of statements must then be checked. A preference clause that follows the artist after leaving a band or after the end of the term deserves particular attention. In a case where a member leaving a band had to grant the producer a preference for twelve months, the Paris Court of Appeal, noting that the producer did not show a legitimate interest in the restriction and that no financial consideration was provided, held under <a href=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000006900785\" target=\"_blank\" rel=\"noopener\" class=\"kohen-legifrance-popup-link\" data-kohen-legifrance-url=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000006900785\" data-kohen-legifrance-title=\"Texte officiel Legifrance\">Article L. 1121-1 of the Labour Code<\/a> that \u201cThis clause is therefore null and void\u201d (our translation) (<a href=\"https:\/\/www.courdecassation.fr\/decision\/6629f36edc6faf0009588a13\" target=\"_blank\" rel=\"noopener\">CA Paris, p\u00f4le 6 ch. 3, 24 April 2024, No. 21\/01638<\/a>). The firm examines the draft clause by clause and points out what can be negotiated before signing.<\/p><\/div><\/details><details><summary>Are a performing artist's royalties a salary?<\/summary><div class=\"a\"><p>No, when two conditions are met. Under <a href=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000006904535\" target=\"_blank\" rel=\"noopener\" class=\"kohen-legifrance-popup-link\" data-kohen-legifrance-url=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000006904535\" data-kohen-legifrance-title=\"Texte officiel Legifrance\">Article L. 7121-8 of the Labour Code<\/a>, the remuneration due to the artist for the sale or exploitation of the recording is not a salary once their physical presence is no longer required and the sum depends on the proceeds of exploitation, not on the session salary. The Court of Cassation upheld a court of appeal which, finding royalties proportional to sales and an advance in line with forecasts, held that \u201cthe sums in dispute did not have the character of salary\u201d (our translation) (<a href=\"https:\/\/www.courdecassation.fr\/decision\/5fd8fcf120f00d92b5dc3f3e\" target=\"_blank\" rel=\"noopener\">Cass. 2e civ., 6 July 2017, No. 16-20.276<\/a>). That judgment dismisses the URSSAF's appeal to the Court of Cassation (social security contributions agency), the court of appeal having held unfounded the adjustment of contributions notified to a producer. The distinction has practical effects. Recording fees follow the social security and tax treatment of salary, whereas royalties are treated differently. A contract that sets a flat royalty with no link to sales is exposed to requalification. Conversely, an advance that is too high compared with forecasts can blur the analysis. The firm checks the drafting of the remuneration clauses, the consistency between fees, advances and royalties, and the way the statements distinguish these sums. This review also prepares any later discussion of unpaid royalties.<\/p><\/div><\/details><details><summary>Must the label pay separately for streaming and physical sales?<\/summary><div class=\"a\"><p>Yes. <a href=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000032856426\" target=\"_blank\" rel=\"noopener\" class=\"kohen-legifrance-popup-link\" data-kohen-legifrance-url=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000032856426\" data-kohen-legifrance-title=\"Texte officiel Legifrance\">Article L. 212-13 of the Intellectual Property Code<\/a> requires the contract between the performing artist and the phonogram producer to set a guaranteed minimum remuneration in return for the fixation authorisation, paid as salary. The same provision states that each mode of exploitation provided for in the contract is the subject of separate remuneration, and expressly designates as distinct modes the sale in physical form and the making available by electronic means. A single royalty covering discs, downloads and online listening without distinction therefore does not meet this requirement. For streaming, <a href=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000043499724\" target=\"_blank\" rel=\"noopener\" class=\"kohen-legifrance-popup-link\" data-kohen-legifrance-url=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000043499724\" data-kohen-legifrance-title=\"Texte officiel Legifrance\">Article L. 212-14 of the Intellectual Property Code<\/a> further provides for a guaranteed minimum remuneration, the terms and level of which are set by collective agreements or, failing that, by a commission chaired by a representative of the State. This guarantee must remain proportional to the economic value of the rights, except where a flat fee is permitted. In practice, the contract must show, line by line, which rate applies to physical sales, downloads, streaming and synchronisations. The firm compares these provisions with the statements received and checks that each source of revenue appears under its own heading.<\/p><\/div><\/details><details><summary>How can you obtain reliable royalty statements from your label?<\/summary><div class=\"a\"><p>Where the contract provides for proportional remuneration paid directly by the producer, <a href=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000032856431\" target=\"_blank\" rel=\"noopener\" class=\"kohen-legifrance-popup-link\" data-kohen-legifrance-url=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000032856431\" data-kohen-legifrance-title=\"Texte officiel Legifrance\">Article L. 212-15 of the Intellectual Property Code<\/a> requires the producer to account to the artist every six months for the calculation of their remuneration, in an explicit and transparent manner. At the artist's request, the producer provides an accountant appointed by the artist with all supporting documents needed to establish the accuracy of the accounts. <a href=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000043499721\" target=\"_blank\" rel=\"noopener\" class=\"kohen-legifrance-popup-link\" data-kohen-legifrance-url=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000043499721\" data-kohen-legifrance-title=\"Texte officiel Legifrance\">Article L. 212-3-1 of the Intellectual Property Code<\/a> adds information at least annually on all revenue generated, distinguishing each mode of exploitation. The first step is therefore to request the missing statements and supporting documents in writing, with a precise time limit. If the label stays silent, appointing an accountant makes it possible to check the platforms' declarations, the deductions applied and the recoupment of advances. The artist must prove the obligation whose performance they claim and produce the relevant documents, while the label that claims to have been discharged must prove payment, under <a href=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000032042341\" target=\"_blank\" rel=\"noopener\" class=\"kohen-legifrance-popup-link\" data-kohen-legifrance-url=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000032042341\" data-kohen-legifrance-title=\"Texte officiel Legifrance\">Article 1353 of the Civil Code<\/a>. In a case decided in 2026, the Paris Court of Appeal noted that, since the enclosures received from the label had not been produced, \u201cthe court is not in a position to assess the merits of the complaints of non-payment of the royalties due\u201d (our translation) (<a href=\"https:\/\/www.courdecassation.fr\/decision\/69b275dbcdc6046d47633643\" target=\"_blank\" rel=\"noopener\">CA Paris, p\u00f4le 5 ch. 1, 11 March 2026, No. 24\/10758<\/a>). The firm gathers the contracts, statements and correspondence before any claim, then quantifies the shortfall claimed.<\/p><\/div><\/details><details><summary>Can you terminate your artist contract if the label no longer exploits the album?<\/summary><div class=\"a\"><p>Several routes exist, with different conditions. Under the general law, <a href=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000032041482\" target=\"_blank\" rel=\"noopener\" class=\"kohen-legifrance-popup-link\" data-kohen-legifrance-url=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000032041482\" data-kohen-legifrance-title=\"Texte officiel Legifrance\">Article 1224 of the Civil Code<\/a> distinguishes termination by operation of a termination clause (clause r\u00e9solutoire) from termination sanctioning a sufficiently serious non-performance, by notification from the creditor or by court decision. The Intellectual Property Code adds mechanisms of its own. <a href=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000043499705\" target=\"_blank\" rel=\"noopener\" class=\"kohen-legifrance-popup-link\" data-kohen-legifrance-url=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000043499705\" data-kohen-legifrance-title=\"Texte officiel Legifrance\">Article L. 212-3-3 of the Intellectual Property Code<\/a> gives an artist who has assigned their rights exclusively a right to terminate where there is no exploitation of their performance, on terms set by collective agreement or, failing that, by decree. <a href=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000043499695\" target=\"_blank\" rel=\"noopener\" class=\"kohen-legifrance-popup-link\" data-kohen-legifrance-url=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000043499695\" data-kohen-legifrance-title=\"Texte officiel Legifrance\">Article L. 212-3-5 of the Intellectual Property Code<\/a> allows, beyond the first fifty years of the seventy-year term, notice to the producer of an intention to terminate where the producer does not offer copies for sale in sufficient quantity or does not make the phonogram available to the public online; if, within the following twelve months, the producer does neither, the artist may exercise the right to terminate. Finally, <a href=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000032856424\" target=\"_blank\" rel=\"noopener\" class=\"kohen-legifrance-popup-link\" data-kohen-legifrance-url=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000032856424\" data-kohen-legifrance-title=\"Texte officiel Legifrance\">Article L. 212-12 of the Intellectual Property Code<\/a> allows the court to order any appropriate measure in the event of a notorious abuse in the non-use of the rights assigned. The choice depends on the age of the phonogram, the nature of the breaches and the evidence available. A bailiff's report (proc\u00e8s-verbal de constat) on the platforms, the statements received and the correspondence with the label form the core of the file. The firm checks which legal basis matches the facts before sending any notification.<\/p><\/div><\/details><details><summary>How do you notify a label of the termination of a contract without making a mistake?<\/summary><div class=\"a\"><p>For a contract concluded since 1 October 2016, termination by notification follows a strict order; an earlier contract remains subject to the old law, under <a href=\"https:\/\/www.legifrance.gouv.fr\/loda\/article_lc\/LEGIARTI000036829913\" target=\"_blank\" rel=\"noopener\" class=\"kohen-legifrance-popup-link\" data-kohen-legifrance-url=\"https:\/\/www.legifrance.gouv.fr\/loda\/article_lc\/LEGIARTI000036829913\" data-kohen-legifrance-title=\"Texte officiel Legifrance\">Article 9 of Ordinance No. 2016-131 of 10 February 2016<\/a>. <a href=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000032041472\" target=\"_blank\" rel=\"noopener\" class=\"kohen-legifrance-popup-link\" data-kohen-legifrance-url=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000032041472\" data-kohen-legifrance-title=\"Texte officiel Legifrance\">Article 1226 of the Civil Code<\/a> requires, except in urgent cases, prior formal notice that gives the debtor a reasonable period and states expressly that, failing performance, the contract will be terminated. Only if the non-performance persists does the creditor notify the termination and the reasons for it. The debtor may then refer the matter to the court, and the creditor must prove the seriousness of the non-performance. In a decision unfavourable to the artist, the Paris Court of Appeal refused to recognise a termination notified by a musician to their label, for lack of prior formal notice inviting the label, as debtor of the obligation, to perform within a set period (<a href=\"https:\/\/www.courdecassation.fr\/decision\/69b275dbcdc6046d47633643\" target=\"_blank\" rel=\"noopener\">CA Paris, p\u00f4le 5 ch. 1, 11 March 2026, No. 24\/10758<\/a>). The letter in question notified the termination, gave formal notice and fixed an earlier effective date in the same mailing. Seised in the alternative, the court added that the failure to pay for digital exploitation \u201cis not serious enough to justify termination of the contract\u201d (our translation) given the age of the albums and the absence of any earlier complaint (<a href=\"https:\/\/www.courdecassation.fr\/decision\/69b275dbcdc6046d47633643\" target=\"_blank\" rel=\"noopener\">CA Paris, p\u00f4le 5 ch. 1, 11 March 2026, No. 24\/10758<\/a>). This decision shows that a badly constructed termination can remain without effect. The firm drafts the formal notice first, then the notification, keeping proof of each mailing.<\/p><\/div><\/details><details><summary>What can you do if the label ends the contract before the planned albums are released?<\/summary><div class=\"a\"><p>Where the artist contract is a fixed-term employment contract, its early termination at the employer's initiative, other than for gross misconduct, force majeure or unfitness for work, entitles the artist to damages at least equal to the remuneration the artist would have received until the end of the term, under <a href=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000024026880\" target=\"_blank\" rel=\"noopener\" class=\"kohen-legifrance-popup-link\" data-kohen-legifrance-url=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000024026880\" data-kohen-legifrance-title=\"Texte officiel Legifrance\">Article L. 1243-4 of the Labour Code<\/a>. The Court of Cassation makes clear that this amount is only a minimum. It upheld a court of appeal that had noted that \u201cthe unlawful termination of the fixed-term contracts had prevented the production of two of the albums covered by the contracts\u201d (our translation) and compensated the loss of opportunity to earn the income from their exploitation (<a href=\"https:\/\/www.courdecassation.fr\/decision\/5fca6ac1a412fe550e65b6e0\" target=\"_blank\" rel=\"noopener\">Cass. soc., 3 July 2019, No. 18-12.306<\/a>). Two years later, it set aside a judgment that limited compensation to salaries alone, holding that this provision \u201cdoes not limit the loss for which he may claim reparation to the remuneration of which he would have been deprived\u201d (our translation) (<a href=\"https:\/\/www.courdecassation.fr\/decision\/61418c41217ec50512d41591\" target=\"_blank\" rel=\"noopener\">Cass. soc., 15 September 2021, No. 19-21.311<\/a>). The artist must nevertheless establish that this loss is direct and certain. Sales of the earlier albums, platform audience, concert dates and promotional commitments make it possible to gauge its extent. The firm gathers these elements, quantifies the loss of opportunity and checks which court has jurisdiction before any claim is brought.<\/p><\/div><\/details><details><summary>Can a preference pact bind a songwriter to their publisher for several albums?<\/summary><div class=\"a\"><p>The principle is the nullity of a global assignment of future works, laid down by <a href=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000006278955\" target=\"_blank\" rel=\"noopener\" class=\"kohen-legifrance-popup-link\" data-kohen-legifrance-url=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000006278955\" data-kohen-legifrance-title=\"Texte officiel Legifrance\">Article L. 131-1 of the Intellectual Property Code<\/a>. <a href=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000029755814\" target=\"_blank\" rel=\"noopener\" class=\"kohen-legifrance-popup-link\" data-kohen-legifrance-url=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000029755814\" data-kohen-legifrance-title=\"Texte officiel Legifrance\">Article L. 132-4 of the Intellectual Property Code<\/a> allows a limited exception: the author may grant a publisher a right of preference over future works of clearly specified genres, limited for each genre to five new works or to the output produced within five years from signature of the first contract. The question is what a work means in music. The Court of Cassation ruled in 2026: \u201cIt follows that, in music publishing, a work within the meaning of Article L. 132-4 of the Intellectual Property Code\u201d (our translation) corresponds to a musical work and not to an album grouping several tracks (<a href=\"https:\/\/www.courdecassation.fr\/decision\/6a0ada95cdc6046d470ed564\" target=\"_blank\" rel=\"noopener\">Cass. 1re civ., 13 May 2026, No. 24-15.857<\/a>). It dismissed the publishers' appeal to the Court of Cassation, in which they argued the opposite. A pact counted in albums can therefore exceed the legal limits and be annulled, as in that case, where the commitment was limited neither in time nor to five works. The publisher benefiting from the preference must also make its decision known in writing within three months of delivery of each work, and two successive refusals release the author for the genre concerned, provided the author first repays the advances received on future works. The firm counts the tracks delivered and checks whether the commitment stays within the limits of the provision.<\/p><\/div><\/details><details><summary>What can a composer demand from their music publisher?<\/summary><div class=\"a\"><p>The publishing contract, defined by <a href=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000029755832\" target=\"_blank\" rel=\"noopener\" class=\"kohen-legifrance-popup-link\" data-kohen-legifrance-url=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000029755832\" data-kohen-legifrance-title=\"Texte officiel Legifrance\">Article L. 132-1 of the Intellectual Property Code<\/a>, transfers to the publisher the right to manufacture or have manufactured copies of the work, on condition that the publisher ensures its publication and distribution. Two obligations follow. Under <a href=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000029755770\" target=\"_blank\" rel=\"noopener\" class=\"kohen-legifrance-popup-link\" data-kohen-legifrance-url=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000029755770\" data-kohen-legifrance-title=\"Texte officiel Legifrance\">Article L. 132-12 of the Intellectual Property Code<\/a>, the publisher must ensure permanent and sustained exploitation of the work and commercial distribution in line with the usages of the profession. Under <a href=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000029755764\" target=\"_blank\" rel=\"noopener\" class=\"kohen-legifrance-popup-link\" data-kohen-legifrance-url=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000029755764\" data-kohen-legifrance-title=\"Texte officiel Legifrance\">Article L. 132-13 of the Intellectual Property Code<\/a>, the publisher must account, and the author may demand at least once a year a statement of exploitation and royalties. The Court of Cassation holds that, despite the five-year limitation period of <a href=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000019017112\" target=\"_blank\" rel=\"noopener\" class=\"kohen-legifrance-popup-link\" data-kohen-legifrance-url=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000019017112\" data-kohen-legifrance-title=\"Texte officiel Legifrance\">Article 2224 of the Civil Code<\/a>, \u201cprolonged breaches by the publisher of its obligations during the five years preceding the writ of summons may justify termination of a contract concluded with the author\u201d (our translation) (<a href=\"https:\/\/www.courdecassation.fr\/decision\/66615159bbc6ae00084dd4b5\" target=\"_blank\" rel=\"noopener\">Cass. 1re civ., 5 June 2024, No. 22-24.462<\/a>). It set aside the judgment that had declared the composer's claims time-barred without examining whether the breaches had continued during the period not yet time-barred. That ruling sends the case back to the lower courts; it does not find against the publisher. It means that old inaction does not extinguish the complaint if it is still continuing. The firm reconstructs the chronology of statements and exploitation in order to place the breaches in time.<\/p><\/div><\/details><details><summary>Can an author's remuneration be a flat fee per copy sold?<\/summary><div class=\"a\"><p>In principle, no. <a href=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000049579339\" target=\"_blank\" rel=\"noopener\" class=\"kohen-legifrance-popup-link\" data-kohen-legifrance-url=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000049579339\" data-kohen-legifrance-title=\"Texte officiel Legifrance\">Article L. 131-4 of the Intellectual Property Code<\/a> requires that an assignment of the author's rights include appropriate remuneration proportional to the revenue from sale or exploitation. A flat fee is permitted only in limited cases, for example where the basis for calculation cannot practically be determined or the means of control are lacking. The Court of Cassation set aside a judgment that had fixed the evaded copyright payments on the basis of a fixed amount per thousand copies of an album sold, recalling that \u201cthe author's remuneration must be proportional to the revenue from the sale or exploitation\u201d (our translation) (<a href=\"https:\/\/www.courdecassation.fr\/decision\/5fca6a9128511e54d8e9ea6c\" target=\"_blank\" rel=\"noopener\">Cass. 1re civ., 4 July 2019, No. 17-31.424<\/a>). A fixed amount per unit, even indexed to volumes, therefore does not replace a percentage of revenue. This rule concerns the lyricist and the composer in their dealings with the publisher. For the performing artist, <a href=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000043499669\" target=\"_blank\" rel=\"noopener\" class=\"kohen-legifrance-popup-link\" data-kohen-legifrance-url=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000043499669\" data-kohen-legifrance-title=\"Texte officiel Legifrance\">Article L. 212-3 of the Intellectual Property Code<\/a> provides a similar rule, with appropriate remuneration proportional to the real or potential economic value of the rights assigned. <a href=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000043499716\" target=\"_blank\" rel=\"noopener\" class=\"kohen-legifrance-popup-link\" data-kohen-legifrance-url=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000043499716\" data-kohen-legifrance-title=\"Texte officiel Legifrance\">Article L. 212-3-2 of the Intellectual Property Code<\/a> adds, in the absence of a comparable mechanism in the contract or in an applicable collective or professional agreement, a right to additional remuneration where the agreed remuneration proves excessively low compared with all the revenue subsequently derived from exploitation by the assignee. The firm checks the base used by the contract and the compliance of each remuneration clause.<\/p><\/div><\/details><details><summary>Who receives equitable remuneration when music is played in a shop or on the radio?<\/summary><div class=\"a\"><p>Where a phonogram has been published for commercial purposes, the performing artist and the producer cannot object to its direct communication in a public place, other than in a performance, or to its broadcasting, under <a href=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000032859476\" target=\"_blank\" rel=\"noopener\" class=\"kohen-legifrance-popup-link\" data-kohen-legifrance-url=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000032859476\" data-kohen-legifrance-title=\"Texte officiel Legifrance\">Article L. 214-1 of the Intellectual Property Code<\/a>. In return, the user pays equitable remuneration, which the same provision reserves to performing artists and phonogram producers. This remuneration does not depend on the artist contract: it is a right to remuneration that the label cannot appropriate. <a href=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000032856422\" target=\"_blank\" rel=\"noopener\" class=\"kohen-legifrance-popup-link\" data-kohen-legifrance-url=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000032856422\" data-kohen-legifrance-title=\"Texte officiel Legifrance\">Article L. 212-11 of the Intellectual Property Code<\/a> also prohibits an advance granted by the producer from being repaid by an assignment of the sums due under Article L. 214-1, any contrary clause being null. The Court of Cassation held that a retail chain playing in its shops tracks taken from an online platform was carrying out direct communication in a public place and owed equitable remuneration, whatever the technical process used (<a href=\"https:\/\/www.courdecassation.fr\/decision\/5fca60790686c047f7bdb8fd\" target=\"_blank\" rel=\"noopener\">Cass. 1re civ., 11 December 2019, No. 18-21.211<\/a>). In that case, the origin of the tracks, taken from a platform offering open licences, did not prevent the regime from applying to the chain. The firm checks the artist's registration with the competent body, the receivables-assignment clauses of the contract and the declarations submitted, in order to identify sums that have not been distributed.<\/p><\/div><\/details><details><summary>From what point must the artist give consent to a recording?<\/summary><div class=\"a\"><p>From the first capture. <a href=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000043499669\" target=\"_blank\" rel=\"noopener\" class=\"kohen-legifrance-popup-link\" data-kohen-legifrance-url=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000043499669\" data-kohen-legifrance-title=\"Texte officiel Legifrance\">Article L. 212-3 of the Intellectual Property Code<\/a> subjects the fixation of a performance, its reproduction and its communication to the public to the written authorisation of the performing artist. The Court of Cassation makes clear that \u201cfixation is constituted by the first incorporation of the artist's performance in a medium\u201d (our translation) (<a href=\"https:\/\/www.courdecassation.fr\/decision\/5fca877190b1da78832773b1\" target=\"_blank\" rel=\"noopener\">Cass. 1re civ., 12 September 2018, No. 17-19.490<\/a>). In a case concerning sketches recorded in public, it set aside the judgment that had placed the fixation at the date of the final master, at the end of the production process. Dates also matter for the duration of the rights. <a href=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000043499688\" target=\"_blank\" rel=\"noopener\" class=\"kohen-legifrance-popup-link\" data-kohen-legifrance-url=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000043499688\" data-kohen-legifrance-title=\"Texte officiel Legifrance\">Article L. 211-4 of the Intellectual Property Code<\/a> makes the artist's rights last fifty years from 1 January following the performance; if, during that period, the performance fixed in a phonogram is made available to the public or communicated to the public, they expire seventy years after 1 January following the first of those events. For an artist, this means that a studio session, a rehearsal recording or a concert recording cannot be exploited without a written authorisation. For a label, it means obtaining the authorisation before the recording begins, not when the release comes. The firm checks that each recording exploited is covered by a written authorisation and that the dates in the contracts match the actual sessions.<\/p><\/div><\/details><details><summary>Can a co-author of a song act alone against unauthorised exploitation?<\/summary><div class=\"a\"><p>Not always. A song written and composed by several people is often a work of joint authorship, the rights in which belong jointly to the co-authors. The Court of Cassation holds that \u201cwhile the co-author of a work of joint authorship may act alone to defend their moral right, this is on condition that their contribution can be individualised\u201d (our translation) (<a href=\"https:\/\/www.courdecassation.fr\/decision\/5fca96e9bd86368ba272d425\" target=\"_blank\" rel=\"noopener\">Cass. 1re civ., 21 March 2018, No. 17-14.728<\/a>). Otherwise, they must bring in the other authors, on pain of inadmissibility. In that case, the lyrics had been written from pre-existing poems, in close collaboration with their authors, and the singer's contribution was inseparable from theirs. The same logic applies to performers. <a href=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000043499682\" target=\"_blank\" rel=\"noopener\" class=\"kohen-legifrance-popup-link\" data-kohen-legifrance-url=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000043499682\" data-kohen-legifrance-title=\"Texte officiel Legifrance\">Article L. 212-3-6 of the Intellectual Property Code<\/a> provides that, where a phonogram contains the performances of several performing artists, they exercise by common agreement the right to terminate under Article L. 212-3-5, the court deciding in the event of disagreement; paragraph IV of <a href=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000043499705\" target=\"_blank\" rel=\"noopener\" class=\"kohen-legifrance-popup-link\" data-kohen-legifrance-url=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000043499705\" data-kohen-legifrance-title=\"Texte officiel Legifrance\">Article L. 212-3-3 of the Intellectual Property Code<\/a> lays down the same rule for termination for lack of any exploitation. The Paris Court of Appeal refused to order the termination sought by only one of the two performers on an album, notably because the other had not been joined to the proceedings (<a href=\"https:\/\/www.courdecassation.fr\/decision\/69b275dbcdc6046d47633643\" target=\"_blank\" rel=\"noopener\">CA Paris, p\u00f4le 5 ch. 1, 11 March 2026, No. 24\/10758<\/a>). Before any action, the firm therefore identifies all the authors and performers concerned, checks whether the contributions are separable and, depending on the basis chosen, arranges for them to be joined or to give their agreement.<\/p><\/div><\/details><details><summary>Does the moral right protect the artist against a track being re-edited for an advertisement?<\/summary><div class=\"a\"><p><a href=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000032859425\" target=\"_blank\" rel=\"noopener\" class=\"kohen-legifrance-popup-link\" data-kohen-legifrance-url=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000032859425\" data-kohen-legifrance-title=\"Texte officiel Legifrance\">Article L. 212-2 of the Intellectual Property Code<\/a> recognises the performing artist's right to respect for their name, their status and their performance, an inalienable and imprescriptible right. This right does not disappear on assignment of the economic rights, and <a href=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000032856420\" target=\"_blank\" rel=\"noopener\" class=\"kohen-legifrance-popup-link\" data-kohen-legifrance-url=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000032856420\" data-kohen-legifrance-title=\"Texte officiel Legifrance\">Article L. 212-10 of the Intellectual Property Code<\/a> states that concluding a contract with a phonogram producer does not derogate from this right. Its application, however, depends on what the artist has accepted. The Court of Cassation approves the principle that \u201cthe exploitation of film music can infringe the moral right of an author who has consented to it only to the extent that it risks altering the work or discrediting the author\u201d (our translation) (<a href=\"https:\/\/www.courdecassation.fr\/decision\/66615159bbc6ae00084dd4b5\" target=\"_blank\" rel=\"noopener\">Cass. 1re civ., 5 June 2024, No. 22-24.462<\/a>). In that case, the composer had authorised the scoring of advertising films; the cuts and the addition of a reverb effect and a sound effect were not held to amount to distortion, and the court likewise rejected the alleged infringement of the artist's right to respect for their performance. An artist who has consented to advertising use must therefore show an alteration or a discrediting context, not a mere technical modification. The firm compares the version exploited with the original recording, rereads the authorisation given and assesses whether the infringement can be argued.<\/p><\/div><\/details><\/div>\n<\/div><\/div><div class=\"kcv-slide\" id=\"kcv-textes\" role=\"tabpanel\" aria-labelledby=\"kcv-t-kcv-textes\" tabindex=\"-1\">\n<p class=\"kk\">Sources and related pages<\/p>\n<h2>Official texts and <em>related pages<\/em><\/h2>\n<p class=\"kcv-lead\">The sources for this page and the firm's related areas of practice.<\/p>\n<div class=\"kcv-arts\"><a class=\"kcv-art kohen-legifrance-popup-link\" href=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000043499669\" target=\"_blank\" rel=\"noopener\" data-kohen-legifrance-url=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000043499669\" data-kohen-legifrance-title=\"Texte officiel Legifrance\"><span class=\"kcv-art-n\">Article L. 212-3 of the Intellectual Property Code<\/span><span class=\"kcv-art-t\">written authorisation and proportional remuneration of the artist<\/span><span class=\"kcv-art-a\"><svg viewBox=\"0 0 24 24\" width=\"18\" height=\"18\" fill=\"none\" stroke=\"currentColor\" stroke-width=\"2.2\" stroke-linecap=\"round\" stroke-linejoin=\"round\" aria-hidden=\"true\"><path d=\"M7 17 17 7M9 7h8v8\"\/><\/svg><\/span><\/a><a class=\"kcv-art kohen-legifrance-popup-link\" href=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000032856422\" target=\"_blank\" rel=\"noopener\" data-kohen-legifrance-url=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000032856422\" data-kohen-legifrance-title=\"Texte officiel Legifrance\"><span class=\"kcv-art-n\">Article L. 212-11 of the Intellectual Property Code<\/span><span class=\"kcv-art-t\">separate mention of the rights assigned to the producer<\/span><span class=\"kcv-art-a\"><svg viewBox=\"0 0 24 24\" width=\"18\" height=\"18\" fill=\"none\" stroke=\"currentColor\" stroke-width=\"2.2\" stroke-linecap=\"round\" stroke-linejoin=\"round\" aria-hidden=\"true\"><path d=\"M7 17 17 7M9 7h8v8\"\/><\/svg><\/span><\/a><a class=\"kcv-art kohen-legifrance-popup-link\" href=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000032856426\" target=\"_blank\" rel=\"noopener\" data-kohen-legifrance-url=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000032856426\" data-kohen-legifrance-title=\"Texte officiel Legifrance\"><span class=\"kcv-art-n\">Article L. 212-13 of the Intellectual Property Code<\/span><span class=\"kcv-art-t\">separate remuneration for each mode of exploitation<\/span><span class=\"kcv-art-a\"><svg viewBox=\"0 0 24 24\" width=\"18\" height=\"18\" fill=\"none\" stroke=\"currentColor\" stroke-width=\"2.2\" stroke-linecap=\"round\" stroke-linejoin=\"round\" aria-hidden=\"true\"><path d=\"M7 17 17 7M9 7h8v8\"\/><\/svg><\/span><\/a><a class=\"kcv-art kohen-legifrance-popup-link\" href=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000032856431\" target=\"_blank\" rel=\"noopener\" data-kohen-legifrance-url=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000032856431\" data-kohen-legifrance-title=\"Texte officiel Legifrance\"><span class=\"kcv-art-n\">Article L. 212-15 of the Intellectual Property Code<\/span><span class=\"kcv-art-t\">six-monthly accounting by the producer<\/span><span class=\"kcv-art-a\"><svg viewBox=\"0 0 24 24\" width=\"18\" height=\"18\" fill=\"none\" stroke=\"currentColor\" stroke-width=\"2.2\" stroke-linecap=\"round\" stroke-linejoin=\"round\" aria-hidden=\"true\"><path d=\"M7 17 17 7M9 7h8v8\"\/><\/svg><\/span><\/a><a class=\"kcv-art kohen-legifrance-popup-link\" href=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000043499695\" target=\"_blank\" rel=\"noopener\" data-kohen-legifrance-url=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000043499695\" data-kohen-legifrance-title=\"Texte officiel Legifrance\"><span class=\"kcv-art-n\">Article L. 212-3-5 of the Intellectual Property Code<\/span><span class=\"kcv-art-t\">termination for failure to exploit the phonogram<\/span><span class=\"kcv-art-a\"><svg viewBox=\"0 0 24 24\" width=\"18\" height=\"18\" fill=\"none\" stroke=\"currentColor\" stroke-width=\"2.2\" stroke-linecap=\"round\" stroke-linejoin=\"round\" aria-hidden=\"true\"><path d=\"M7 17 17 7M9 7h8v8\"\/><\/svg><\/span><\/a><a class=\"kcv-art kohen-legifrance-popup-link\" href=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000029755814\" target=\"_blank\" rel=\"noopener\" data-kohen-legifrance-url=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000029755814\" data-kohen-legifrance-title=\"Texte officiel Legifrance\"><span class=\"kcv-art-n\">Article L. 132-4 of the Intellectual Property Code<\/span><span class=\"kcv-art-t\">publisher's preference pact<\/span><span class=\"kcv-art-a\"><svg viewBox=\"0 0 24 24\" width=\"18\" height=\"18\" fill=\"none\" stroke=\"currentColor\" stroke-width=\"2.2\" stroke-linecap=\"round\" stroke-linejoin=\"round\" aria-hidden=\"true\"><path d=\"M7 17 17 7M9 7h8v8\"\/><\/svg><\/span><\/a><a class=\"kcv-art kohen-legifrance-popup-link\" href=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000029755770\" target=\"_blank\" rel=\"noopener\" data-kohen-legifrance-url=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000029755770\" data-kohen-legifrance-title=\"Texte officiel Legifrance\"><span class=\"kcv-art-n\">Article L. 132-12 of the Intellectual Property Code<\/span><span class=\"kcv-art-t\">permanent and sustained exploitation by the publisher<\/span><span class=\"kcv-art-a\"><svg viewBox=\"0 0 24 24\" width=\"18\" height=\"18\" fill=\"none\" stroke=\"currentColor\" stroke-width=\"2.2\" stroke-linecap=\"round\" stroke-linejoin=\"round\" aria-hidden=\"true\"><path d=\"M7 17 17 7M9 7h8v8\"\/><\/svg><\/span><\/a><a class=\"kcv-art kohen-legifrance-popup-link\" href=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000006904535\" target=\"_blank\" rel=\"noopener\" data-kohen-legifrance-url=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000006904535\" data-kohen-legifrance-title=\"Texte officiel Legifrance\"><span class=\"kcv-art-n\">Article L. 7121-8 of the Labour Code<\/span><span class=\"kcv-art-t\">artist's royalties distinct from salary<\/span><span class=\"kcv-art-a\"><svg viewBox=\"0 0 24 24\" width=\"18\" height=\"18\" fill=\"none\" stroke=\"currentColor\" stroke-width=\"2.2\" stroke-linecap=\"round\" stroke-linejoin=\"round\" aria-hidden=\"true\"><path d=\"M7 17 17 7M9 7h8v8\"\/><\/svg><\/span><\/a><a class=\"kcv-art kohen-legifrance-popup-link\" href=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000032041472\" target=\"_blank\" rel=\"noopener\" data-kohen-legifrance-url=\"https:\/\/www.legifrance.gouv.fr\/codes\/article_lc\/LEGIARTI000032041472\" data-kohen-legifrance-title=\"Texte officiel Legifrance\"><span class=\"kcv-art-n\">Article 1226 of the Civil Code<\/span><span class=\"kcv-art-t\">termination by notification after formal notice<\/span><span class=\"kcv-art-a\"><svg viewBox=\"0 0 24 24\" width=\"18\" height=\"18\" fill=\"none\" stroke=\"currentColor\" stroke-width=\"2.2\" stroke-linecap=\"round\" stroke-linejoin=\"round\" aria-hidden=\"true\"><path d=\"M7 17 17 7M9 7h8v8\"\/><\/svg><\/span><\/a><\/div>\n<h3 class=\"kcv-center\">Further reading<\/h3>\n<div class=\"kcv-pgs\"><a class=\"kcv-pg\" href=\"https:\/\/kohenavocats.fr\/en\/intellectual-property-lawyer-paris\/\"><span class=\"kcv-pg-t\">Intellectual property<\/span><span class=\"kcv-pg-s\">The firm's expertise<\/span><span class=\"kcv-art-a\"><svg viewBox=\"0 0 24 24\" width=\"18\" height=\"18\" fill=\"none\" stroke=\"currentColor\" stroke-width=\"2.2\" stroke-linecap=\"round\" stroke-linejoin=\"round\" aria-hidden=\"true\"><path d=\"M7 17 17 7M9 7h8v8\"\/><\/svg><\/span><\/a><a class=\"kcv-pg\" href=\"https:\/\/kohenavocats.fr\/en\/copyright-lawyer-paris\/\"><span class=\"kcv-pg-t\">Copyright<\/span><span class=\"kcv-pg-s\">The firm's expertise<\/span><span class=\"kcv-art-a\"><svg viewBox=\"0 0 24 24\" width=\"18\" height=\"18\" fill=\"none\" stroke=\"currentColor\" stroke-width=\"2.2\" stroke-linecap=\"round\" stroke-linejoin=\"round\" aria-hidden=\"true\"><path d=\"M7 17 17 7M9 7h8v8\"\/><\/svg><\/span><\/a><a class=\"kcv-pg\" href=\"https:\/\/kohenavocats.fr\/en\/audiovisual-law-lawyer-paris\/\"><span class=\"kcv-pg-t\">Audiovisual law<\/span><span class=\"kcv-pg-s\">The firm's expertise<\/span><span class=\"kcv-art-a\"><svg viewBox=\"0 0 24 24\" width=\"18\" height=\"18\" fill=\"none\" stroke=\"currentColor\" stroke-width=\"2.2\" stroke-linecap=\"round\" stroke-linejoin=\"round\" aria-hidden=\"true\"><path d=\"M7 17 17 7M9 7h8v8\"\/><\/svg><\/span><\/a><a class=\"kcv-pg\" href=\"https:\/\/kohenavocats.fr\/en\/trademark-lawyer-paris\/\"><span class=\"kcv-pg-t\">Trade mark law<\/span><span class=\"kcv-pg-s\">The firm's expertise<\/span><span class=\"kcv-art-a\"><svg viewBox=\"0 0 24 24\" width=\"18\" height=\"18\" fill=\"none\" stroke=\"currentColor\" stroke-width=\"2.2\" stroke-linecap=\"round\" stroke-linejoin=\"round\" aria-hidden=\"true\"><path d=\"M7 17 17 7M9 7h8v8\"\/><\/svg><\/span><\/a><\/div>\n<p class=\"kcv-small kcv-center\">Page updated on 1 November 2026.<\/p><\/div><\/div>\n  <\/div>\n<\/section>\n<section class=\"kcv-cta\">\n  <div class=\"kcv-in\">\n    <div class=\"kcv-cta-card\">\n      <h2>A label contract to sign or to end? <em>Take stock today<\/em>.<\/h2>\n      <p>Send the contract, its amendments and the statements received: the firm examines the rights assigned, the sums owed and the appropriate route.<\/p>\n      <div class=\"kcv-btns\">\n        <a class=\"kcv-fb kcv-fb-tel\" href=\"tel:+33646605822\"><span class=\"kcv-fb-orb\"><svg viewBox=\"0 0 24 24\" width=\"24\" height=\"24\" fill=\"currentColor\" stroke=\"none\" stroke-width=\"0\" stroke-linecap=\"round\" stroke-linejoin=\"round\" aria-hidden=\"true\"><path d=\"M22 16.9v3a2 2 0 0 1-2.2 2 19.8 19.8 0 0 1-8.6-3.1 19.5 19.5 0 0 1-6-6A19.8 19.8 0 0 1 2.1 4.2 2 2 0 0 1 4.1 2h3a2 2 0 0 1 2 1.7c.1.9.4 1.8.7 2.7a2 2 0 0 1-.5 2.1L8 9.8a16 16 0 0 0 6 6l1.3-1.3a2 2 0 0 1 2.1-.4c.9.3 1.8.6 2.7.7a2 2 0 0 1 1.7 2z\"\/><\/svg><\/span><span class=\"kcv-fb-txt\">Call the firm<span class=\"kcv-fb-n\">06&nbsp;46&nbsp;60&nbsp;58&nbsp;22<\/span><\/span><\/a>\n        <a class=\"kcv-fb kcv-fb-mail\" href=\"#kch-form\"><span class=\"kcv-fb-orb\"><svg viewBox=\"0 0 24 24\" width=\"24\" height=\"24\" fill=\"none\" stroke=\"currentColor\" stroke-width=\"2\" stroke-linecap=\"round\" stroke-linejoin=\"round\" aria-hidden=\"true\"><rect x=\"2.5\" y=\"4.5\" width=\"19\" height=\"15\" rx=\"2.5\"\/><path d=\"m3.5 6.5 8.5 6.5 8.5-6.5\"\/><\/svg><\/span><span class=\"kcv-fb-txt\">Send your documents<span class=\"kcv-fb-n\">confidential form<\/span><\/span><\/a>\n      <\/div>\n    <\/div>\n  <\/div>\n<\/section>\n<div class=\"kcv-news-band\"><h2>The latest <em>news.<\/em><\/h2><\/div>\n<\/div>\n<script type=\"application\/ld+json\">{\"@context\": \"https:\/\/schema.org\", \"@type\": \"FAQPage\", \"mainEntity\": [{\"@type\": \"Question\", \"name\": \"What should you check in an artist contract before signing it?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"An artist contract entrusts the label with recording your performances and exploiting them. It combines two distinct relationships. First, the recording session is paid as salary, since Article L. 7121-3 of the Labour Code presumes an artist to be an employee where a person secures their services for remuneration. Second, the assignment of your neighbouring rights gives entitlement to royalties calculated on revenue. The review starts with the subject matter: number of firm and optional albums, time limit for entering the studio, promised release date and duration of exclusivity. It continues with the list of rights assigned, because Article L. 212-11 of the Intellectual Property Code requires each one to be the subject of a separate mention and its scope to be delimited as to extent, purpose, place and duration. The rate and base of the royalties, the deductions, the recoupment of advances and the frequency of statements must then be checked. A preference clause that follows the artist after leaving a band or after the end of the term deserves particular attention. In a case where a member leaving a band had to grant the producer a preference for twelve months, the Paris Court of Appeal, noting that the producer did not show a legitimate interest in the restriction and that no financial consideration was provided, held under Article L. 1121-1 of the Labour Code that \u201cThis clause is therefore null and void\u201d (our translation) (CA Paris, p\u00f4le 6 ch. 3, 24 April 2024, No. 21\/01638). The firm examines the draft clause by clause and points out what can be negotiated before signing.\"}}, {\"@type\": \"Question\", \"name\": \"Are a performing artist's royalties a salary?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"No, when two conditions are met. Under Article L. 7121-8 of the Labour Code, the remuneration due to the artist for the sale or exploitation of the recording is not a salary once their physical presence is no longer required and the sum depends on the proceeds of exploitation, not on the session salary. The Court of Cassation upheld a court of appeal which, finding royalties proportional to sales and an advance in line with forecasts, held that \u201cthe sums in dispute did not have the character of salary\u201d (our translation) (Cass. 2e civ., 6 July 2017, No. 16-20.276). That judgment dismisses the URSSAF's appeal to the Court of Cassation (social security contributions agency), the court of appeal having held unfounded the adjustment of contributions notified to a producer. The distinction has practical effects. Recording fees follow the social security and tax treatment of salary, whereas royalties are treated differently. A contract that sets a flat royalty with no link to sales is exposed to requalification. Conversely, an advance that is too high compared with forecasts can blur the analysis. The firm checks the drafting of the remuneration clauses, the consistency between fees, advances and royalties, and the way the statements distinguish these sums. This review also prepares any later discussion of unpaid royalties.\"}}, {\"@type\": \"Question\", \"name\": \"Must the label pay separately for streaming and physical sales?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"Yes. Article L. 212-13 of the Intellectual Property Code requires the contract between the performing artist and the phonogram producer to set a guaranteed minimum remuneration in return for the fixation authorisation, paid as salary. The same provision states that each mode of exploitation provided for in the contract is the subject of separate remuneration, and expressly designates as distinct modes the sale in physical form and the making available by electronic means. A single royalty covering discs, downloads and online listening without distinction therefore does not meet this requirement. For streaming, Article L. 212-14 of the Intellectual Property Code further provides for a guaranteed minimum remuneration, the terms and level of which are set by collective agreements or, failing that, by a commission chaired by a representative of the State. This guarantee must remain proportional to the economic value of the rights, except where a flat fee is permitted. In practice, the contract must show, line by line, which rate applies to physical sales, downloads, streaming and synchronisations. The firm compares these provisions with the statements received and checks that each source of revenue appears under its own heading.\"}}, {\"@type\": \"Question\", \"name\": \"How can you obtain reliable royalty statements from your label?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"Where the contract provides for proportional remuneration paid directly by the producer, Article L. 212-15 of the Intellectual Property Code requires the producer to account to the artist every six months for the calculation of their remuneration, in an explicit and transparent manner. At the artist's request, the producer provides an accountant appointed by the artist with all supporting documents needed to establish the accuracy of the accounts. Article L. 212-3-1 of the Intellectual Property Code adds information at least annually on all revenue generated, distinguishing each mode of exploitation. The first step is therefore to request the missing statements and supporting documents in writing, with a precise time limit. If the label stays silent, appointing an accountant makes it possible to check the platforms' declarations, the deductions applied and the recoupment of advances. The artist must prove the obligation whose performance they claim and produce the relevant documents, while the label that claims to have been discharged must prove payment, under Article 1353 of the Civil Code. In a case decided in 2026, the Paris Court of Appeal noted that, since the enclosures received from the label had not been produced, \u201cthe court is not in a position to assess the merits of the complaints of non-payment of the royalties due\u201d (our translation) (CA Paris, p\u00f4le 5 ch. 1, 11 March 2026, No. 24\/10758). The firm gathers the contracts, statements and correspondence before any claim, then quantifies the shortfall claimed.\"}}, {\"@type\": \"Question\", \"name\": \"Can you terminate your artist contract if the label no longer exploits the album?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"Several routes exist, with different conditions. Under the general law, Article 1224 of the Civil Code distinguishes termination by operation of a termination clause (clause r\u00e9solutoire) from termination sanctioning a sufficiently serious non-performance, by notification from the creditor or by court decision. The Intellectual Property Code adds mechanisms of its own. Article L. 212-3-3 of the Intellectual Property Code gives an artist who has assigned their rights exclusively a right to terminate where there is no exploitation of their performance, on terms set by collective agreement or, failing that, by decree. Article L. 212-3-5 of the Intellectual Property Code allows, beyond the first fifty years of the seventy-year term, notice to the producer of an intention to terminate where the producer does not offer copies for sale in sufficient quantity or does not make the phonogram available to the public online; if, within the following twelve months, the producer does neither, the artist may exercise the right to terminate. Finally, Article L. 212-12 of the Intellectual Property Code allows the court to order any appropriate measure in the event of a notorious abuse in the non-use of the rights assigned. The choice depends on the age of the phonogram, the nature of the breaches and the evidence available. A bailiff's report (proc\u00e8s-verbal de constat) on the platforms, the statements received and the correspondence with the label form the core of the file. The firm checks which legal basis matches the facts before sending any notification.\"}}, {\"@type\": \"Question\", \"name\": \"How do you notify a label of the termination of a contract without making a mistake?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"For a contract concluded since 1 October 2016, termination by notification follows a strict order; an earlier contract remains subject to the old law, under Article 9 of Ordinance No. 2016-131 of 10 February 2016. Article 1226 of the Civil Code requires, except in urgent cases, prior formal notice that gives the debtor a reasonable period and states expressly that, failing performance, the contract will be terminated. Only if the non-performance persists does the creditor notify the termination and the reasons for it. The debtor may then refer the matter to the court, and the creditor must prove the seriousness of the non-performance. In a decision unfavourable to the artist, the Paris Court of Appeal refused to recognise a termination notified by a musician to their label, for lack of prior formal notice inviting the label, as debtor of the obligation, to perform within a set period (CA Paris, p\u00f4le 5 ch. 1, 11 March 2026, No. 24\/10758). The letter in question notified the termination, gave formal notice and fixed an earlier effective date in the same mailing. Seised in the alternative, the court added that the failure to pay for digital exploitation \u201cis not serious enough to justify termination of the contract\u201d (our translation) given the age of the albums and the absence of any earlier complaint (CA Paris, p\u00f4le 5 ch. 1, 11 March 2026, No. 24\/10758). This decision shows that a badly constructed termination can remain without effect. The firm drafts the formal notice first, then the notification, keeping proof of each mailing.\"}}, {\"@type\": \"Question\", \"name\": \"What can you do if the label ends the contract before the planned albums are released?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"Where the artist contract is a fixed-term employment contract, its early termination at the employer's initiative, other than for gross misconduct, force majeure or unfitness for work, entitles the artist to damages at least equal to the remuneration the artist would have received until the end of the term, under Article L. 1243-4 of the Labour Code. The Court of Cassation makes clear that this amount is only a minimum. It upheld a court of appeal that had noted that \u201cthe unlawful termination of the fixed-term contracts had prevented the production of two of the albums covered by the contracts\u201d (our translation) and compensated the loss of opportunity to earn the income from their exploitation (Cass. soc., 3 July 2019, No. 18-12.306). Two years later, it set aside a judgment that limited compensation to salaries alone, holding that this provision \u201cdoes not limit the loss for which he may claim reparation to the remuneration of which he would have been deprived\u201d (our translation) (Cass. soc., 15 September 2021, No. 19-21.311). The artist must nevertheless establish that this loss is direct and certain. Sales of the earlier albums, platform audience, concert dates and promotional commitments make it possible to gauge its extent. The firm gathers these elements, quantifies the loss of opportunity and checks which court has jurisdiction before any claim is brought.\"}}, {\"@type\": \"Question\", \"name\": \"Can a preference pact bind a songwriter to their publisher for several albums?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"The principle is the nullity of a global assignment of future works, laid down by Article L. 131-1 of the Intellectual Property Code. Article L. 132-4 of the Intellectual Property Code allows a limited exception: the author may grant a publisher a right of preference over future works of clearly specified genres, limited for each genre to five new works or to the output produced within five years from signature of the first contract. The question is what a work means in music. The Court of Cassation ruled in 2026: \u201cIt follows that, in music publishing, a work within the meaning of Article L. 132-4 of the Intellectual Property Code\u201d (our translation) corresponds to a musical work and not to an album grouping several tracks (Cass. 1re civ., 13 May 2026, No. 24-15.857). It dismissed the publishers' appeal to the Court of Cassation, in which they argued the opposite. A pact counted in albums can therefore exceed the legal limits and be annulled, as in that case, where the commitment was limited neither in time nor to five works. The publisher benefiting from the preference must also make its decision known in writing within three months of delivery of each work, and two successive refusals release the author for the genre concerned, provided the author first repays the advances received on future works. The firm counts the tracks delivered and checks whether the commitment stays within the limits of the provision.\"}}, {\"@type\": \"Question\", \"name\": \"What can a composer demand from their music publisher?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"The publishing contract, defined by Article L. 132-1 of the Intellectual Property Code, transfers to the publisher the right to manufacture or have manufactured copies of the work, on condition that the publisher ensures its publication and distribution. Two obligations follow. Under Article L. 132-12 of the Intellectual Property Code, the publisher must ensure permanent and sustained exploitation of the work and commercial distribution in line with the usages of the profession. Under Article L. 132-13 of the Intellectual Property Code, the publisher must account, and the author may demand at least once a year a statement of exploitation and royalties. The Court of Cassation holds that, despite the five-year limitation period of Article 2224 of the Civil Code, \u201cprolonged breaches by the publisher of its obligations during the five years preceding the writ of summons may justify termination of a contract concluded with the author\u201d (our translation) (Cass. 1re civ., 5 June 2024, No. 22-24.462). It set aside the judgment that had declared the composer's claims time-barred without examining whether the breaches had continued during the period not yet time-barred. That ruling sends the case back to the lower courts; it does not find against the publisher. It means that old inaction does not extinguish the complaint if it is still continuing. The firm reconstructs the chronology of statements and exploitation in order to place the breaches in time.\"}}, {\"@type\": \"Question\", \"name\": \"Can an author's remuneration be a flat fee per copy sold?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"In principle, no. Article L. 131-4 of the Intellectual Property Code requires that an assignment of the author's rights include appropriate remuneration proportional to the revenue from sale or exploitation. A flat fee is permitted only in limited cases, for example where the basis for calculation cannot practically be determined or the means of control are lacking. The Court of Cassation set aside a judgment that had fixed the evaded copyright payments on the basis of a fixed amount per thousand copies of an album sold, recalling that \u201cthe author's remuneration must be proportional to the revenue from the sale or exploitation\u201d (our translation) (Cass. 1re civ., 4 July 2019, No. 17-31.424). A fixed amount per unit, even indexed to volumes, therefore does not replace a percentage of revenue. This rule concerns the lyricist and the composer in their dealings with the publisher. For the performing artist, Article L. 212-3 of the Intellectual Property Code provides a similar rule, with appropriate remuneration proportional to the real or potential economic value of the rights assigned. Article L. 212-3-2 of the Intellectual Property Code adds, in the absence of a comparable mechanism in the contract or in an applicable collective or professional agreement, a right to additional remuneration where the agreed remuneration proves excessively low compared with all the revenue subsequently derived from exploitation by the assignee. The firm checks the base used by the contract and the compliance of each remuneration clause.\"}}, {\"@type\": \"Question\", \"name\": \"Who receives equitable remuneration when music is played in a shop or on the radio?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"Where a phonogram has been published for commercial purposes, the performing artist and the producer cannot object to its direct communication in a public place, other than in a performance, or to its broadcasting, under Article L. 214-1 of the Intellectual Property Code. In return, the user pays equitable remuneration, which the same provision reserves to performing artists and phonogram producers. This remuneration does not depend on the artist contract: it is a right to remuneration that the label cannot appropriate. Article L. 212-11 of the Intellectual Property Code also prohibits an advance granted by the producer from being repaid by an assignment of the sums due under Article L. 214-1, any contrary clause being null. The Court of Cassation held that a retail chain playing in its shops tracks taken from an online platform was carrying out direct communication in a public place and owed equitable remuneration, whatever the technical process used (Cass. 1re civ., 11 December 2019, No. 18-21.211). In that case, the origin of the tracks, taken from a platform offering open licences, did not prevent the regime from applying to the chain. The firm checks the artist's registration with the competent body, the receivables-assignment clauses of the contract and the declarations submitted, in order to identify sums that have not been distributed.\"}}, {\"@type\": \"Question\", \"name\": \"From what point must the artist give consent to a recording?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"From the first capture. Article L. 212-3 of the Intellectual Property Code subjects the fixation of a performance, its reproduction and its communication to the public to the written authorisation of the performing artist. The Court of Cassation makes clear that \u201cfixation is constituted by the first incorporation of the artist's performance in a medium\u201d (our translation) (Cass. 1re civ., 12 September 2018, No. 17-19.490). In a case concerning sketches recorded in public, it set aside the judgment that had placed the fixation at the date of the final master, at the end of the production process. Dates also matter for the duration of the rights. Article L. 211-4 of the Intellectual Property Code makes the artist's rights last fifty years from 1 January following the performance; if, during that period, the performance fixed in a phonogram is made available to the public or communicated to the public, they expire seventy years after 1 January following the first of those events. For an artist, this means that a studio session, a rehearsal recording or a concert recording cannot be exploited without a written authorisation. For a label, it means obtaining the authorisation before the recording begins, not when the release comes. The firm checks that each recording exploited is covered by a written authorisation and that the dates in the contracts match the actual sessions.\"}}, {\"@type\": \"Question\", \"name\": \"Can a co-author of a song act alone against unauthorised exploitation?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"Not always. A song written and composed by several people is often a work of joint authorship, the rights in which belong jointly to the co-authors. The Court of Cassation holds that \u201cwhile the co-author of a work of joint authorship may act alone to defend their moral right, this is on condition that their contribution can be individualised\u201d (our translation) (Cass. 1re civ., 21 March 2018, No. 17-14.728). Otherwise, they must bring in the other authors, on pain of inadmissibility. In that case, the lyrics had been written from pre-existing poems, in close collaboration with their authors, and the singer's contribution was inseparable from theirs. The same logic applies to performers. Article L. 212-3-6 of the Intellectual Property Code provides that, where a phonogram contains the performances of several performing artists, they exercise by common agreement the right to terminate under Article L. 212-3-5, the court deciding in the event of disagreement; paragraph IV of Article L. 212-3-3 of the Intellectual Property Code lays down the same rule for termination for lack of any exploitation. The Paris Court of Appeal refused to order the termination sought by only one of the two performers on an album, notably because the other had not been joined to the proceedings (CA Paris, p\u00f4le 5 ch. 1, 11 March 2026, No. 24\/10758). Before any action, the firm therefore identifies all the authors and performers concerned, checks whether the contributions are separable and, depending on the basis chosen, arranges for them to be joined or to give their agreement.\"}}, {\"@type\": \"Question\", \"name\": \"Does the moral right protect the artist against a track being re-edited for an advertisement?\", \"acceptedAnswer\": {\"@type\": \"Answer\", \"text\": \"Article L. 212-2 of the Intellectual Property Code recognises the performing artist's right to respect for their name, their status and their performance, an inalienable and imprescriptible right. This right does not disappear on assignment of the economic rights, and Article L. 212-10 of the Intellectual Property Code states that concluding a contract with a phonogram producer does not derogate from this right. Its application, however, depends on what the artist has accepted. The Court of Cassation approves the principle that \u201cthe exploitation of film music can infringe the moral right of an author who has consented to it only to the extent that it risks altering the work or discrediting the author\u201d (our translation) (Cass. 1re civ., 5 June 2024, No. 22-24.462). In that case, the composer had authorised the scoring of advertising films; the cuts and the addition of a reverb effect and a sound effect were not held to amount to distortion, and the court likewise rejected the alleged infringement of the artist's right to respect for their performance. An artist who has consented to advertising use must therefore show an alteration or a discrediting context, not a mere technical modification. 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.elementor-element.elementor-element-5bca5836 {\n    line-height: 1.6;\n  }\n}\n@media (min-width: 769px) and (max-width: 1200px) {\n  .elementor-1983483 .elementor-element.elementor-element-5bca5836 {\n    line-height: 1.65;\n  }\n}\n@media (min-width: 1201px) {\n  .elementor-1983483 .elementor-element.elementor-element-5bca5836 {\n    line-height: 1.75;\n  }\n}\n\/* Filtre noir semi-transparent - \u00c9tat initial visible, maintenu au hover *\/\n\/* Z-INDEX 1 : au-dessus du flou mais en dessous du texte *\/\n.elementor-1983483 .elementor-element.elementor-element-5bca5836::before {\n  content: '';\n  position: absolute;\n  inset: 0;\n  background: rgba(0, 0, 0, 0.6);\n  backdrop-filter: blur(0px);\n  opacity: 1;\n  pointer-events: none;\n  z-index: 1;\n  transition: backdrop-filter 1.2s cubic-bezier(0.25, 0.1, 0.25, 1);\n  will-change: backdrop-filter;\n}\n\/* Brillance + flou - \u00c9tat initial invisible *\/\n\/* Z-INDEX 0 : en dessous de la teinte noire *\/\n.elementor-1983483 .elementor-element.elementor-element-5bca5836::after {\n  content: '';\n  position: absolute;\n  inset: 0;\n  background: rgba(255, 255, 255, 0);\n  box-shadow: \n    inset 0.5px 0.5px 0.5px 0 rgba(255, 255, 255, 0),\n    inset -0.5px -0.5px 0.5px 0 rgba(255, 255, 255, 0);\n  opacity: 0;\n  pointer-events: none;\n  z-index: 0;\n  transition: all 1.2s cubic-bezier(0.25, 0.1, 0.25, 1);\n}\n\/* ACTIVATION AU HOVER *\/\n.elementor-1983483 .elementor-element.elementor-element-5bca5836:hover {\n  box-shadow: 0 6px 6px rgba(0, 0, 0, 0.2), 0 0 20px rgba(0, 0, 0, 0.1);\n  transform: translateY(-2px);\n}\n.elementor-1983483 .elementor-element.elementor-element-5bca5836:hover::before {\n  backdrop-filter: blur(8px);\n}\n.elementor-1983483 .elementor-element.elementor-element-5bca5836:hover::after {\n  background: rgba(255, 255, 255, 0.25);\n  box-shadow: \n    inset 0.5px 0.5px 0.5px 0 rgba(255, 255, 255, 0.15),\n    inset -0.5px -0.5px 0.5px 0 rgba(255, 255, 255, 0.15);\n  opacity: 1;\n} \n\n\n\n\n\n\n\n\n\n\n  .elementor-1983483 .elementor-element.elementor-element-5bca5836 {\n    flex-shrink: 0 !important;\n    scroll-snap-align: start !important;\n    width: clamp(300px, 30vw, 400px) !important;\n    min-width: 300px !important;\n  }\n\n  @media (max-width: 767px) {\n    .elementor-1983483 .elementor-element.elementor-element-5bca5836 {\n      width: 350px !important;\n      min-width: 350px !important;\n      max-width: 350px !important;\n    }\n  }\/* End custom CSS *\/<\/style>\t\t<div data-elementor-type=\"loop-item\" data-elementor-id=\"1983483\" class=\"elementor elementor-1983483 e-loop-item e-loop-item-2157105 post-2157105 post type-post status-publish format-standard has-post-thumbnail hentry category-decryptage category-doing-business-in-france\" data-elementor-post-type=\"elementor_library\" data-custom-edit-handle=\"1\">\n\t\t\t<div class=\"elementor-element elementor-element-5bca5836 card-item e-ecs-flex e-flex e-con-boxed e-con e-parent\" data-id=\"5bca5836\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;,&quot;ecs_container_type&quot;:&quot;flex&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-daf2e8 card-title elementor-widget elementor-widget-heading\" data-id=\"daf2e8\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/kohenavocats.fr\/en\/2026\/10\/25\/foreign-business-france-vat-registration-fiscal-representative-challenge-abroad\/\">Your Foreign Business Owes French VAT Without a French Company: Registration, Fiscal Representative and How to Challenge the Bill From Abroad<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b7e11a6 elementor-widget elementor-widget-html\" data-id=\"b7e11a6\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"html.default\">\n\t\t\t\t\t <script>\n  (function() {\n    let attempts = 0;\n    const maxAttempts = 20; \/\/ 20 tentatives = 10 secondes max\n\n    function tryClean() {\n      attempts++;\n      console.log('Tentative', attempts);\n\n      \/\/ Cherche TOUS les conteneurs possibles\n      const containers = document.querySelectorAll(\n        '.elementor-widget-theme-post-content .elementor-widget-container, ' +\n        '.card-item [class*=\"post-content\"], ' +\n        '.elementor-loop-container [class*=\"widget-container\"]'\n      );\n\n      console.log('Conteneurs trouv\u00e9s:', containers.length);\n\n      if (containers.length === 0 && attempts < maxAttempts) {\n        \/\/ R\u00e9essaye dans 500ms\n        setTimeout(tryClean, 500);\n        return;\n      }\n\n      let cleaned = 0;\n\n      containers.forEach(function(container) {\n        const html = container.innerHTML;\n\n        if (html && html.includes('Expos\u00e9 des motifs')) {\n          console.log('Nettoyage en cours...');\n          const parts = html.split('Expos\u00e9 des motifs');\n          if (parts[1]) {\n            container.innerHTML = parts[1].trim();\n            cleaned++;\n          }\n        }\n      });\n\n      console.log('Cartes nettoy\u00e9es:', cleaned);\n\n      \/\/ Si rien n'a \u00e9t\u00e9 nettoy\u00e9 et qu'on a encore des tentatives\n      if (cleaned === 0 && attempts < maxAttempts) {\n        setTimeout(tryClean, 500);\n      }\n    }\n\n    \/\/ Lance au chargement\n    if (document.readyState === 'loading') {\n      document.addEventListener('DOMContentLoaded', tryClean);\n    } else {\n      tryClean();\n    }\n  })();\n  <\/script>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-bcaeb6b elementor-widget elementor-widget-html\" data-id=\"bcaeb6b\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"html.default\">\n\t\t\t\t\t<script>\ndocument.addEventListener(\"DOMContentLoaded\", function() {\n    \n    \/\/ 1. Rendre la carte cliquable (Simule le lien)\n    const cards = document.querySelectorAll('.card-item');\n    \n    cards.forEach(card => {\n        card.style.cursor = 'pointer';\n        \n        \/\/ On cherche l'URL dans le titre de la carte\n        const titleLink = card.querySelector('.card-title a');\n        let url = titleLink ? titleLink.href : null;\n\n        if (url) {\n            \/\/ Clic sur toute la carte\n            card.addEventListener('click', function(e) {\n                \/\/ Si on ne clique pas d\u00e9j\u00e0 sur un bouton ou un autre lien valide\n                if (!e.target.closest('a') && !e.target.closest('button')) {\n                    window.location.href = url;\n                }\n            });\n        }\n\n        \/\/ 2. Nettoyer les liens DANS le texte (Expos\u00e9 des motifs, etc.)\n        const content = card.querySelector('.elementor-widget-theme-post-content');\n        if (content) {\n            const links = content.querySelectorAll('a');\n            links.forEach(link => {\n                \/\/ Remplace le lien <a href=\"...\">Texte<\/a> par un simple <span>Texte<\/span>\n                const span = document.createElement('span');\n                span.innerHTML = link.innerHTML;\n                link.replaceWith(span);\n            });\n        }\n    });\n});\n<\/script>\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<style id=\"loop-dynamic-1983483\">.e-loop-item-2157083 .elementor-element.elementor-element-5bca5836:not(.elementor-motion-effects-element-type-background), .e-loop-item-2157083 .elementor-element.elementor-element-5bca5836 > .elementor-motion-effects-container > .elementor-motion-effects-layer{background-image:url(\"https:\/\/kohenavocats.fr\/wp-content\/uploads\/2024\/11\/tim-schmidbauer-EnC5f7At4ac-unsplash-1-scaled.webp\");}<\/style>\t\t<div data-elementor-type=\"loop-item\" data-elementor-id=\"1983483\" class=\"elementor elementor-1983483 e-loop-item e-loop-item-2157083 post-2157083 post type-post status-publish format-standard has-post-thumbnail hentry category-decryptage category-doing-business-in-france\" data-elementor-post-type=\"elementor_library\" data-custom-edit-handle=\"1\">\n\t\t\t<div class=\"elementor-element elementor-element-5bca5836 card-item e-ecs-flex e-flex e-con-boxed e-con e-parent\" data-id=\"5bca5836\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;,&quot;ecs_container_type&quot;:&quot;flex&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-daf2e8 card-title elementor-widget elementor-widget-heading\" data-id=\"daf2e8\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/kohenavocats.fr\/en\/2026\/10\/25\/foreign-company-france-unpaid-invoice-penalties-injonction-payer-abroad\/\">Your French Client Has Not Paid: Late-Payment Penalties, the 40 Euro Fee and the Injunction-to-Pay While You Live Abroad<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b7e11a6 elementor-widget elementor-widget-html\" data-id=\"b7e11a6\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"html.default\">\n\t\t\t\t\t <script>\n  (function() {\n    let attempts = 0;\n    const maxAttempts = 20; \/\/ 20 tentatives = 10 secondes max\n\n    function tryClean() {\n      attempts++;\n      console.log('Tentative', attempts);\n\n      \/\/ Cherche TOUS les conteneurs possibles\n      const containers = document.querySelectorAll(\n        '.elementor-widget-theme-post-content .elementor-widget-container, ' +\n        '.card-item [class*=\"post-content\"], ' +\n        '.elementor-loop-container [class*=\"widget-container\"]'\n      );\n\n      console.log('Conteneurs trouv\u00e9s:', containers.length);\n\n      if (containers.length === 0 && attempts < maxAttempts) {\n        \/\/ R\u00e9essaye dans 500ms\n        setTimeout(tryClean, 500);\n        return;\n      }\n\n      let cleaned = 0;\n\n      containers.forEach(function(container) {\n        const html = container.innerHTML;\n\n        if (html && html.includes('Expos\u00e9 des motifs')) {\n          console.log('Nettoyage en cours...');\n          const parts = html.split('Expos\u00e9 des motifs');\n          if (parts[1]) {\n            container.innerHTML = parts[1].trim();\n            cleaned++;\n          }\n        }\n      });\n\n      console.log('Cartes nettoy\u00e9es:', cleaned);\n\n      \/\/ Si rien n'a \u00e9t\u00e9 nettoy\u00e9 et qu'on a encore des tentatives\n      if (cleaned === 0 && attempts < maxAttempts) {\n        setTimeout(tryClean, 500);\n      }\n    }\n\n    \/\/ Lance au chargement\n    if (document.readyState === 'loading') {\n      document.addEventListener('DOMContentLoaded', tryClean);\n    } else {\n      tryClean();\n    }\n  })();\n  <\/script>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-bcaeb6b elementor-widget elementor-widget-html\" data-id=\"bcaeb6b\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"html.default\">\n\t\t\t\t\t<script>\ndocument.addEventListener(\"DOMContentLoaded\", function() {\n    \n    \/\/ 1. Rendre la carte cliquable (Simule le lien)\n    const cards = document.querySelectorAll('.card-item');\n    \n    cards.forEach(card => {\n        card.style.cursor = 'pointer';\n        \n        \/\/ On cherche l'URL dans le titre de la carte\n        const titleLink = card.querySelector('.card-title a');\n        let url = titleLink ? titleLink.href : null;\n\n        if (url) {\n            \/\/ Clic sur toute la carte\n            card.addEventListener('click', function(e) {\n                \/\/ Si on ne clique pas d\u00e9j\u00e0 sur un bouton ou un autre lien valide\n                if (!e.target.closest('a') && !e.target.closest('button')) {\n                    window.location.href = url;\n                }\n            });\n        }\n\n        \/\/ 2. Nettoyer les liens DANS le texte (Expos\u00e9 des motifs, etc.)\n        const content = card.querySelector('.elementor-widget-theme-post-content');\n        if (content) {\n            const links = content.querySelectorAll('a');\n            links.forEach(link => {\n                \/\/ Remplace le lien <a href=\"...\">Texte<\/a> par un simple <span>Texte<\/span>\n                const span = document.createElement('span');\n                span.innerHTML = link.innerHTML;\n                link.replaceWith(span);\n            });\n        }\n    });\n});\n<\/script>\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<style id=\"loop-dynamic-1983483\">.e-loop-item-2157055 .elementor-element.elementor-element-5bca5836:not(.elementor-motion-effects-element-type-background), .e-loop-item-2157055 .elementor-element.elementor-element-5bca5836 > .elementor-motion-effects-container > .elementor-motion-effects-layer{background-image:url(\"https:\/\/kohenavocats.fr\/wp-content\/uploads\/2024\/11\/allison-saeng-Hpw4nI_QUWQ-unsplash-scaled.webp\");}<\/style>\t\t<div data-elementor-type=\"loop-item\" data-elementor-id=\"1983483\" class=\"elementor elementor-1983483 e-loop-item e-loop-item-2157055 post-2157055 post type-post status-publish format-standard has-post-thumbnail hentry category-decryptage category-doing-business-in-france\" data-elementor-post-type=\"elementor_library\" data-custom-edit-handle=\"1\">\n\t\t\t<div class=\"elementor-element elementor-element-5bca5836 card-item e-ecs-flex e-flex e-con-boxed e-con e-parent\" data-id=\"5bca5836\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;,&quot;ecs_container_type&quot;:&quot;flex&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-daf2e8 card-title elementor-widget elementor-widget-heading\" data-id=\"daf2e8\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/kohenavocats.fr\/en\/2026\/10\/25\/foreign-company-france-corporate-bank-account-refusal-abroad\/\">Your French Bank Won&#8217;t Open a Corporate Account While You Live Abroad: Right to an Account, Banque de France Designation and the Anti-Money-Laundering Wall<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b7e11a6 elementor-widget elementor-widget-html\" data-id=\"b7e11a6\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"html.default\">\n\t\t\t\t\t <script>\n  (function() {\n    let attempts = 0;\n    const maxAttempts = 20; \/\/ 20 tentatives = 10 secondes max\n\n    function tryClean() {\n      attempts++;\n      console.log('Tentative', attempts);\n\n      \/\/ Cherche TOUS les conteneurs possibles\n      const containers = document.querySelectorAll(\n        '.elementor-widget-theme-post-content .elementor-widget-container, ' +\n        '.card-item [class*=\"post-content\"], ' +\n        '.elementor-loop-container [class*=\"widget-container\"]'\n      );\n\n      console.log('Conteneurs trouv\u00e9s:', containers.length);\n\n      if (containers.length === 0 && attempts < maxAttempts) {\n        \/\/ R\u00e9essaye dans 500ms\n        setTimeout(tryClean, 500);\n        return;\n      }\n\n      let cleaned = 0;\n\n      containers.forEach(function(container) {\n        const html = container.innerHTML;\n\n        if (html && html.includes('Expos\u00e9 des motifs')) {\n          console.log('Nettoyage en cours...');\n          const parts = html.split('Expos\u00e9 des motifs');\n          if (parts[1]) {\n            container.innerHTML = parts[1].trim();\n            cleaned++;\n          }\n        }\n      });\n\n      console.log('Cartes nettoy\u00e9es:', cleaned);\n\n      \/\/ Si rien n'a \u00e9t\u00e9 nettoy\u00e9 et qu'on a encore des tentatives\n      if (cleaned === 0 && attempts < maxAttempts) {\n        setTimeout(tryClean, 500);\n      }\n    }\n\n    \/\/ Lance au chargement\n    if (document.readyState === 'loading') {\n      document.addEventListener('DOMContentLoaded', tryClean);\n    } else {\n      tryClean();\n    }\n  })();\n  <\/script>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-bcaeb6b elementor-widget elementor-widget-html\" data-id=\"bcaeb6b\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"html.default\">\n\t\t\t\t\t<script>\ndocument.addEventListener(\"DOMContentLoaded\", function() {\n    \n    \/\/ 1. Rendre la carte cliquable (Simule le lien)\n    const cards = document.querySelectorAll('.card-item');\n    \n    cards.forEach(card => {\n        card.style.cursor = 'pointer';\n        \n        \/\/ On cherche l'URL dans le titre de la carte\n        const titleLink = card.querySelector('.card-title a');\n        let url = titleLink ? titleLink.href : null;\n\n        if (url) {\n            \/\/ Clic sur toute la carte\n            card.addEventListener('click', function(e) {\n                \/\/ Si on ne clique pas d\u00e9j\u00e0 sur un bouton ou un autre lien valide\n                if (!e.target.closest('a') && !e.target.closest('button')) {\n                    window.location.href = url;\n                }\n            });\n        }\n\n        \/\/ 2. 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Rendre la carte cliquable (Simule le lien)\n    const cards = document.querySelectorAll('.card-item');\n    \n    cards.forEach(card => {\n        card.style.cursor = 'pointer';\n        \n        \/\/ On cherche l'URL dans le titre de la carte\n        const titleLink = card.querySelector('.card-title a');\n        let url = titleLink ? titleLink.href : null;\n\n        if (url) {\n            \/\/ Clic sur toute la carte\n            card.addEventListener('click', function(e) {\n                \/\/ Si on ne clique pas d\u00e9j\u00e0 sur un bouton ou un autre lien valide\n                if (!e.target.closest('a') && !e.target.closest('button')) {\n                    window.location.href = url;\n                }\n            });\n        }\n\n        \/\/ 2. Nettoyer les liens DANS le texte (Expos\u00e9 des motifs, etc.)\n        const content = card.querySelector('.elementor-widget-theme-post-content');\n        if (content) {\n            const links = content.querySelectorAll('a');\n            links.forEach(link => {\n                \/\/ Remplace le lien <a href=\"...\">Texte<\/a> par un simple <span>Texte<\/span>\n                const span = document.createElement('span');\n                span.innerHTML = link.innerHTML;\n                link.replaceWith(span);\n            });\n        }\n    });\n});\n<\/script>\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<style id=\"loop-dynamic-1983483\">.e-loop-item-2156702 .elementor-element.elementor-element-5bca5836:not(.elementor-motion-effects-element-type-background), .e-loop-item-2156702 .elementor-element.elementor-element-5bca5836 > .elementor-motion-effects-container > .elementor-motion-effects-layer{background-image:url(\"https:\/\/kohenavocats.fr\/wp-content\/uploads\/2024\/11\/pawel-czerwinski-mIT9kEQBC6Q-unsplash-scaled.webp\");}<\/style>\t\t<div data-elementor-type=\"loop-item\" data-elementor-id=\"1983483\" class=\"elementor elementor-1983483 e-loop-item e-loop-item-2156702 post-2156702 post type-post status-publish format-standard has-post-thumbnail hentry category-decryptage category-doing-business-in-france\" data-elementor-post-type=\"elementor_library\" data-custom-edit-handle=\"1\">\n\t\t\t<div class=\"elementor-element elementor-element-5bca5836 card-item e-ecs-flex e-flex e-con-boxed e-con e-parent\" data-id=\"5bca5836\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;,&quot;ecs_container_type&quot;:&quot;flex&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-daf2e8 card-title elementor-widget elementor-widget-heading\" data-id=\"daf2e8\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/kohenavocats.fr\/en\/2026\/10\/24\/foreign-company-france-hire-first-employee-dpae-contract-trial-pay-abroad\/\">Hiring Your First French Employee While You Live Abroad: DPAE, Contract, Trial Period, Pay and Registration<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b7e11a6 elementor-widget elementor-widget-html\" data-id=\"b7e11a6\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"html.default\">\n\t\t\t\t\t <script>\n  (function() {\n    let attempts = 0;\n    const maxAttempts = 20; \/\/ 20 tentatives = 10 secondes max\n\n    function tryClean() {\n      attempts++;\n      console.log('Tentative', attempts);\n\n      \/\/ Cherche TOUS les conteneurs possibles\n      const containers = document.querySelectorAll(\n        '.elementor-widget-theme-post-content .elementor-widget-container, ' +\n        '.card-item [class*=\"post-content\"], ' +\n        '.elementor-loop-container [class*=\"widget-container\"]'\n      );\n\n      console.log('Conteneurs trouv\u00e9s:', containers.length);\n\n      if (containers.length === 0 && attempts < maxAttempts) {\n        \/\/ R\u00e9essaye dans 500ms\n        setTimeout(tryClean, 500);\n        return;\n      }\n\n      let cleaned = 0;\n\n      containers.forEach(function(container) {\n        const html = container.innerHTML;\n\n        if (html && html.includes('Expos\u00e9 des motifs')) {\n          console.log('Nettoyage en cours...');\n          const parts = html.split('Expos\u00e9 des motifs');\n          if (parts[1]) {\n            container.innerHTML = parts[1].trim();\n            cleaned++;\n          }\n        }\n      });\n\n      console.log('Cartes nettoy\u00e9es:', cleaned);\n\n      \/\/ Si rien n'a \u00e9t\u00e9 nettoy\u00e9 et qu'on a encore des tentatives\n      if (cleaned === 0 && attempts < maxAttempts) {\n        setTimeout(tryClean, 500);\n      }\n    }\n\n    \/\/ Lance au chargement\n    if (document.readyState === 'loading') {\n      document.addEventListener('DOMContentLoaded', tryClean);\n    } else {\n      tryClean();\n    }\n  })();\n  <\/script>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-bcaeb6b elementor-widget elementor-widget-html\" data-id=\"bcaeb6b\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"html.default\">\n\t\t\t\t\t<script>\ndocument.addEventListener(\"DOMContentLoaded\", function() {\n    \n    \/\/ 1. Rendre la carte cliquable (Simule le lien)\n    const cards = document.querySelectorAll('.card-item');\n    \n    cards.forEach(card => {\n        card.style.cursor = 'pointer';\n        \n        \/\/ On cherche l'URL dans le titre de la carte\n        const titleLink = card.querySelector('.card-title a');\n        let url = titleLink ? titleLink.href : null;\n\n        if (url) {\n            \/\/ Clic sur toute la carte\n            card.addEventListener('click', function(e) {\n                \/\/ Si on ne clique pas d\u00e9j\u00e0 sur un bouton ou un autre lien valide\n                if (!e.target.closest('a') && !e.target.closest('button')) {\n                    window.location.href = url;\n                }\n            });\n        }\n\n        \/\/ 2. Nettoyer les liens DANS le texte (Expos\u00e9 des motifs, etc.)\n        const content = card.querySelector('.elementor-widget-theme-post-content');\n        if (content) {\n            const links = content.querySelectorAll('a');\n            links.forEach(link => {\n                \/\/ Remplace le lien <a href=\"...\">Texte<\/a> par un simple <span>Texte<\/span>\n                const span = document.createElement('span');\n                span.innerHTML = link.innerHTML;\n                link.replaceWith(span);\n            });\n        }\n    });\n});\n<\/script>\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<style id=\"loop-dynamic-1983483\">.e-loop-item-2156668 .elementor-element.elementor-element-5bca5836:not(.elementor-motion-effects-element-type-background), .e-loop-item-2156668 .elementor-element.elementor-element-5bca5836 > .elementor-motion-effects-container > .elementor-motion-effects-layer{background-image:url(\"https:\/\/kohenavocats.fr\/wp-content\/uploads\/2024\/11\/alex-vasey-F5HtPjpBb9k-unsplash-scaled.webp\");}<\/style>\t\t<div data-elementor-type=\"loop-item\" data-elementor-id=\"1983483\" class=\"elementor elementor-1983483 e-loop-item e-loop-item-2156668 post-2156668 post type-post status-publish format-standard has-post-thumbnail hentry category-decryptage category-doing-business-in-france\" data-elementor-post-type=\"elementor_library\" data-custom-edit-handle=\"1\">\n\t\t\t<div class=\"elementor-element elementor-element-5bca5836 card-item e-ecs-flex e-flex e-con-boxed e-con e-parent\" data-id=\"5bca5836\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;,&quot;ecs_container_type&quot;:&quot;flex&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-daf2e8 card-title elementor-widget elementor-widget-heading\" data-id=\"daf2e8\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/kohenavocats.fr\/en\/2026\/10\/24\/foreign-company-france-management-fees-transfer-pricing-file-defence-abroad\/\">Your French Subsidiary Pays Management Fees to Its Foreign Parent While You Live Abroad: Transfer Pricing File, Deduction and Reassessment Defence<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b7e11a6 elementor-widget elementor-widget-html\" data-id=\"b7e11a6\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"html.default\">\n\t\t\t\t\t <script>\n  (function() {\n    let attempts = 0;\n    const maxAttempts = 20; \/\/ 20 tentatives = 10 secondes max\n\n    function tryClean() {\n      attempts++;\n      console.log('Tentative', attempts);\n\n      \/\/ Cherche TOUS les conteneurs possibles\n      const containers = document.querySelectorAll(\n        '.elementor-widget-theme-post-content .elementor-widget-container, ' +\n        '.card-item [class*=\"post-content\"], ' +\n        '.elementor-loop-container [class*=\"widget-container\"]'\n      );\n\n      console.log('Conteneurs trouv\u00e9s:', containers.length);\n\n      if (containers.length === 0 && attempts < maxAttempts) {\n        \/\/ R\u00e9essaye dans 500ms\n        setTimeout(tryClean, 500);\n        return;\n      }\n\n      let cleaned = 0;\n\n      containers.forEach(function(container) {\n        const html = container.innerHTML;\n\n        if (html && html.includes('Expos\u00e9 des motifs')) {\n          console.log('Nettoyage en cours...');\n          const parts = html.split('Expos\u00e9 des motifs');\n          if (parts[1]) {\n            container.innerHTML = parts[1].trim();\n            cleaned++;\n          }\n        }\n      });\n\n      console.log('Cartes nettoy\u00e9es:', cleaned);\n\n      \/\/ Si rien n'a \u00e9t\u00e9 nettoy\u00e9 et qu'on a encore des tentatives\n      if (cleaned === 0 && attempts < maxAttempts) {\n        setTimeout(tryClean, 500);\n      }\n    }\n\n    \/\/ Lance au chargement\n    if (document.readyState === 'loading') {\n      document.addEventListener('DOMContentLoaded', tryClean);\n    } else {\n      tryClean();\n    }\n  })();\n  <\/script>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-bcaeb6b elementor-widget elementor-widget-html\" data-id=\"bcaeb6b\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"html.default\">\n\t\t\t\t\t<script>\ndocument.addEventListener(\"DOMContentLoaded\", function() {\n    \n    \/\/ 1. 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Rendre la carte cliquable (Simule le lien)\n    const cards = document.querySelectorAll('.card-item');\n    \n    cards.forEach(card => {\n        card.style.cursor = 'pointer';\n        \n        \/\/ On cherche l'URL dans le titre de la carte\n        const titleLink = card.querySelector('.card-title a');\n        let url = titleLink ? titleLink.href : null;\n\n        if (url) {\n            \/\/ Clic sur toute la carte\n            card.addEventListener('click', function(e) {\n                \/\/ Si on ne clique pas d\u00e9j\u00e0 sur un bouton ou un autre lien valide\n                if (!e.target.closest('a') && !e.target.closest('button')) {\n                    window.location.href = url;\n                }\n            });\n        }\n\n        \/\/ 2. Nettoyer les liens DANS le texte (Expos\u00e9 des motifs, etc.)\n        const content = card.querySelector('.elementor-widget-theme-post-content');\n        if (content) {\n            const links = content.querySelectorAll('a');\n            links.forEach(link => {\n                \/\/ Remplace le lien <a href=\"...\">Texte<\/a> par un simple <span>Texte<\/span>\n                const span = document.createElement('span');\n                span.innerHTML = link.innerHTML;\n                link.replaceWith(span);\n            });\n        }\n    });\n});\n<\/script>\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<style id=\"loop-dynamic-1983483\">.e-loop-item-2156579 .elementor-element.elementor-element-5bca5836:not(.elementor-motion-effects-element-type-background), .e-loop-item-2156579 .elementor-element.elementor-element-5bca5836 > .elementor-motion-effects-container > .elementor-motion-effects-layer{background-image:url(\"https:\/\/kohenavocats.fr\/wp-content\/uploads\/2024\/11\/viktor-forgacs-5j8nd3QpRbo-unsplash-scaled.webp\");}<\/style>\t\t<div data-elementor-type=\"loop-item\" data-elementor-id=\"1983483\" class=\"elementor elementor-1983483 e-loop-item e-loop-item-2156579 post-2156579 post type-post status-publish format-standard has-post-thumbnail hentry category-decryptage category-doing-business-in-france\" data-elementor-post-type=\"elementor_library\" data-custom-edit-handle=\"1\">\n\t\t\t<div class=\"elementor-element elementor-element-5bca5836 card-item e-ecs-flex e-flex e-con-boxed e-con e-parent\" data-id=\"5bca5836\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;,&quot;ecs_container_type&quot;:&quot;flex&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-daf2e8 card-title elementor-widget elementor-widget-heading\" data-id=\"daf2e8\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/kohenavocats.fr\/en\/2026\/10\/24\/foreign-company-france-close-dissolution-liquidation-tax-radiation-abroad\/\">Closing Your French Company From Abroad: Voluntary Dissolution, Friendly Liquidation, Tax Clearance and Striking Off<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b7e11a6 elementor-widget elementor-widget-html\" data-id=\"b7e11a6\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"html.default\">\n\t\t\t\t\t <script>\n  (function() {\n    let attempts = 0;\n    const maxAttempts = 20; \/\/ 20 tentatives = 10 secondes max\n\n    function tryClean() {\n      attempts++;\n      console.log('Tentative', attempts);\n\n      \/\/ Cherche TOUS les conteneurs possibles\n      const containers = document.querySelectorAll(\n        '.elementor-widget-theme-post-content .elementor-widget-container, ' +\n        '.card-item [class*=\"post-content\"], ' +\n        '.elementor-loop-container [class*=\"widget-container\"]'\n      );\n\n      console.log('Conteneurs trouv\u00e9s:', containers.length);\n\n      if (containers.length === 0 && attempts < maxAttempts) {\n        \/\/ R\u00e9essaye dans 500ms\n        setTimeout(tryClean, 500);\n        return;\n      }\n\n      let cleaned = 0;\n\n      containers.forEach(function(container) {\n        const html = container.innerHTML;\n\n        if (html && html.includes('Expos\u00e9 des motifs')) {\n          console.log('Nettoyage en cours...');\n          const parts = html.split('Expos\u00e9 des motifs');\n          if (parts[1]) {\n            container.innerHTML = parts[1].trim();\n            cleaned++;\n          }\n        }\n      });\n\n      console.log('Cartes nettoy\u00e9es:', cleaned);\n\n      \/\/ Si rien n'a \u00e9t\u00e9 nettoy\u00e9 et qu'on a encore des tentatives\n      if (cleaned === 0 && attempts < maxAttempts) {\n        setTimeout(tryClean, 500);\n      }\n    }\n\n    \/\/ Lance au chargement\n    if (document.readyState === 'loading') {\n      document.addEventListener('DOMContentLoaded', tryClean);\n    } else {\n      tryClean();\n    }\n  })();\n  <\/script>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-bcaeb6b elementor-widget elementor-widget-html\" data-id=\"bcaeb6b\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"html.default\">\n\t\t\t\t\t<script>\ndocument.addEventListener(\"DOMContentLoaded\", function() {\n    \n    \/\/ 1. Rendre la carte cliquable (Simule le lien)\n    const cards = document.querySelectorAll('.card-item');\n    \n    cards.forEach(card => {\n        card.style.cursor = 'pointer';\n        \n        \/\/ On cherche l'URL dans le titre de la carte\n        const titleLink = card.querySelector('.card-title a');\n        let url = titleLink ? titleLink.href : null;\n\n        if (url) {\n            \/\/ Clic sur toute la carte\n            card.addEventListener('click', function(e) {\n                \/\/ Si on ne clique pas d\u00e9j\u00e0 sur un bouton ou un autre lien valide\n                if (!e.target.closest('a') && !e.target.closest('button')) {\n                    window.location.href = url;\n                }\n            });\n        }\n\n        \/\/ 2. Nettoyer les liens DANS le texte (Expos\u00e9 des motifs, etc.)\n        const content = card.querySelector('.elementor-widget-theme-post-content');\n        if (content) {\n            const links = content.querySelectorAll('a');\n            links.forEach(link => {\n                \/\/ Remplace le lien <a href=\"...\">Texte<\/a> par un simple <span>Texte<\/span>\n                const span = document.createElement('span');\n                span.innerHTML = link.innerHTML;\n                link.replaceWith(span);\n            });\n        }\n    });\n});\n<\/script>\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t<style id=\"loop-dynamic-1983483\">.e-loop-item-2156527 .elementor-element.elementor-element-5bca5836:not(.elementor-motion-effects-element-type-background), .e-loop-item-2156527 .elementor-element.elementor-element-5bca5836 > .elementor-motion-effects-container > .elementor-motion-effects-layer{background-image:url(\"https:\/\/kohenavocats.fr\/wp-content\/uploads\/2024\/11\/mohamed-nohassi-vGTXy8FS7b0-unsplash-scaled.webp\");}<\/style>\t\t<div data-elementor-type=\"loop-item\" data-elementor-id=\"1983483\" class=\"elementor elementor-1983483 e-loop-item e-loop-item-2156527 post-2156527 post type-post status-publish format-standard has-post-thumbnail hentry category-decryptage category-doing-business-in-france\" data-elementor-post-type=\"elementor_library\" data-custom-edit-handle=\"1\">\n\t\t\t<div class=\"elementor-element elementor-element-5bca5836 card-item e-ecs-flex e-flex e-con-boxed e-con e-parent\" data-id=\"5bca5836\" data-element_type=\"container\" data-e-type=\"container\" data-settings=\"{&quot;background_background&quot;:&quot;classic&quot;,&quot;ecs_container_type&quot;:&quot;flex&quot;}\">\n\t\t\t\t\t<div class=\"e-con-inner\">\n\t\t\t\t<div class=\"elementor-element elementor-element-daf2e8 card-title elementor-widget elementor-widget-heading\" data-id=\"daf2e8\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"heading.default\">\n\t\t\t\t\t<h2 class=\"elementor-heading-title elementor-size-default\"><a href=\"https:\/\/kohenavocats.fr\/en\/2026\/10\/24\/foreign-company-france-subsidiary-insolvent-director-liability-45-days-abroad\/\">Your French Subsidiary Goes Insolvent While You Live Abroad: 45-Day Filing, Director Liability and Sanctions Defence<\/a><\/h2>\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-b7e11a6 elementor-widget elementor-widget-html\" data-id=\"b7e11a6\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"html.default\">\n\t\t\t\t\t <script>\n  (function() {\n    let attempts = 0;\n    const maxAttempts = 20; \/\/ 20 tentatives = 10 secondes max\n\n    function tryClean() {\n      attempts++;\n      console.log('Tentative', attempts);\n\n      \/\/ Cherche TOUS les conteneurs possibles\n      const containers = document.querySelectorAll(\n        '.elementor-widget-theme-post-content .elementor-widget-container, ' +\n        '.card-item [class*=\"post-content\"], ' +\n        '.elementor-loop-container [class*=\"widget-container\"]'\n      );\n\n      console.log('Conteneurs trouv\u00e9s:', containers.length);\n\n      if (containers.length === 0 && attempts < maxAttempts) {\n        \/\/ R\u00e9essaye dans 500ms\n        setTimeout(tryClean, 500);\n        return;\n      }\n\n      let cleaned = 0;\n\n      containers.forEach(function(container) {\n        const html = container.innerHTML;\n\n        if (html && html.includes('Expos\u00e9 des motifs')) {\n          console.log('Nettoyage en cours...');\n          const parts = html.split('Expos\u00e9 des motifs');\n          if (parts[1]) {\n            container.innerHTML = parts[1].trim();\n            cleaned++;\n          }\n        }\n      });\n\n      console.log('Cartes nettoy\u00e9es:', cleaned);\n\n      \/\/ Si rien n'a \u00e9t\u00e9 nettoy\u00e9 et qu'on a encore des tentatives\n      if (cleaned === 0 && attempts < maxAttempts) {\n        setTimeout(tryClean, 500);\n      }\n    }\n\n    \/\/ Lance au chargement\n    if (document.readyState === 'loading') {\n      document.addEventListener('DOMContentLoaded', tryClean);\n    } else {\n      tryClean();\n    }\n  })();\n  <\/script>\n\t\t\t\t<\/div>\n\t\t\t\t<div class=\"elementor-element elementor-element-bcaeb6b elementor-widget elementor-widget-html\" data-id=\"bcaeb6b\" data-element_type=\"widget\" data-e-type=\"widget\" data-widget_type=\"html.default\">\n\t\t\t\t\t<script>\ndocument.addEventListener(\"DOMContentLoaded\", function() {\n    \n    \/\/ 1. Rendre la carte cliquable (Simule le lien)\n    const cards = document.querySelectorAll('.card-item');\n    \n    cards.forEach(card => {\n        card.style.cursor = 'pointer';\n        \n        \/\/ On cherche l'URL dans le titre de la carte\n        const titleLink = card.querySelector('.card-title a');\n        let url = titleLink ? titleLink.href : null;\n\n        if (url) {\n            \/\/ Clic sur toute la carte\n            card.addEventListener('click', function(e) {\n                \/\/ Si on ne clique pas d\u00e9j\u00e0 sur un bouton ou un autre lien valide\n                if (!e.target.closest('a') && !e.target.closest('button')) {\n                    window.location.href = url;\n                }\n            });\n        }\n\n        \/\/ 2. 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Rendre la carte cliquable (Simule le lien)\n    const cards = document.querySelectorAll('.card-item');\n    \n    cards.forEach(card => {\n        card.style.cursor = 'pointer';\n        \n        \/\/ On cherche l'URL dans le titre de la carte\n        const titleLink = card.querySelector('.card-title a');\n        let url = titleLink ? titleLink.href : null;\n\n        if (url) {\n            \/\/ Clic sur toute la carte\n            card.addEventListener('click', function(e) {\n                \/\/ Si on ne clique pas d\u00e9j\u00e0 sur un bouton ou un autre lien valide\n                if (!e.target.closest('a') && !e.target.closest('button')) {\n                    window.location.href = url;\n                }\n            });\n        }\n\n        \/\/ 2. 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Artist contracts, licence agreements, music publishing, streaming royalties and equitable remuneration: a music law lawyer in Paris first reads what the contract assigns, then what the label or publisher owes in return. The [&hellip;]<\/p>\n","protected":false},"author":251031307,"featured_media":2157176,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-2161261","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO Premium plugin v28.2 (Yoast SEO v28.2) - https:\/\/yoast.com\/product\/yoast-seo-premium-wordpress\/ -->\n<title>Music Law Lawyer Paris | Kohen Avocats<\/title>\n<meta name=\"description\" content=\"Music law lawyer in Paris: artist contracts, publishing, royalties and neighbouring rights reviewed before signing or ending. 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